#: locale=en
## Action
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TextToSpeechBehaviour_1078D0FB_4E75_6FAE_41D1_8AA9AAB13B63.text = This impressive building was designed by local architect James Hibbert, who chose a Neo-Classical style rather than the Gothic Revival look that was so popular during the 1880s. His bold decision gave the building a distinctive character that set it apart from many of Preston’s other landmarks — including the old Town Hall that once stood just to the west of the Harris. \
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Built to reflect confidence, culture, and pride, the design features grand columns, elegant stonework, and carefully balanced proportions — all trademarks of classical architecture. It was intended not just as a functional public space, but as a statement of Preston’s growing importance during the Victorian era. \
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Over the years, the building has become a much-loved local landmark, hosting countless exhibitions, events, and community gatherings. Its impressive design and rich history continue to make it one of Preston’s most recognisable and admired buildings. \
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Today, as you explore this 360 virtual tour, you can take a closer look at the stunning details and craftsmanship that make this place so special — just as visitors have done for more than a century.
### URL
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## Hotspot
### Text
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HotspotPanoramaOverlayArea_BB5FA801_9EE0_5980_41C9_781E4FE7BBA4.toolTip = Egyptian Gallery
HotspotPanoramaOverlayArea_BADD195B_9EE0_DB80_41B1_ABAEF019F571.toolTip = Egyptian Gallery
HotspotPanoramaOverlayArea_35232B0D_7466_0A12_41D0_C6C111A9189D.toolTip = Elk
HotspotPanoramaOverlayArea_FEADAF08_C2BD_0376_41B4_4E2CFDA2FA65.toolTip = Elk
HotspotPanoramaOverlayArea_34EAD7AF_7462_1A6F_41D6_01010710BD84.toolTip = Elk
HotspotPanoramaOverlayArea_40F0483A_5E9C_9D0A_41B0_8BB3624E450C.toolTip = Fauna
HotspotPanoramaOverlayArea_87694153_A120_CB81_41B4_8B3A3CE5E847.toolTip = First Floor
HotspotPanoramaOverlayArea_B44EE7D8_AAD7_4807_41C8_6DD08E4BB927.toolTip = First Floor
HotspotPanoramaOverlayArea_8716D211_A120_4980_4197_2DA266FD9E60.toolTip = First Floor
HotspotPanoramaOverlayArea_890B6459_A120_4980_41D7_46D2B1D0C823.toolTip = First Floor
HotspotPanoramaOverlayArea_7C24D96B_0D3B_DD12_4180_C8D956201E48.toolTip = First Floor
HotspotPanoramaOverlayArea_BB0C2859_9EE1_B980_41E0_D6B9DDD1873D.toolTip = First Floor
HotspotPanoramaOverlayArea_BA718C36_9EE0_5980_41C4_AEE7A091EC15.toolTip = First Floor
HotspotPanoramaOverlayArea_BAE7040C_9EE3_C980_41DC_35CF0225EB8F.toolTip = First Floor
HotspotPanoramaOverlayArea_874D72B1_A121_CE81_41A4_FF1C6E80F8FF.toolTip = First Floor
HotspotPanoramaOverlayArea_BBD9C977_9EE1_DB80_41DB_382F48050F59.toolTip = First Floor
HotspotPanoramaOverlayArea_B900CEDB_EC1A_A9AC_41EB_2032854B3506.toolTip = First Floor
HotspotPanoramaOverlayArea_951A9AAD_C5AF_0289_41C7_9ECEE912DE5B.toolTip = Flag Market Entrance Lobby
HotspotPanoramaOverlayArea_4263858C_0877_3235_4162_48D17C8AF56D.toolTip = Flag Market Foyer
HotspotPanoramaOverlayArea_FEF9EE39_EC26_A8EC_419A_760BB7388D4A.toolTip = Flag Market Foyer
HotspotPanoramaOverlayArea_D22D1102_54F3_DCD9_41AA_E2073D66018F.toolTip = Forms in Succession
HotspotPanoramaOverlayArea_D228C798_54F0_43E9_41D4_B6DF1F997DD0.toolTip = Forms in Succession
HotspotPanoramaOverlayArea_1A58C748_55F0_C369_41D0_160BFBD691CD.toolTip = Fruits & Green Loops
HotspotPanoramaOverlayArea_7629F97C_582C_9797_41D4_CCE3D385CB98.toolTip = Fruits & Green Loops
HotspotPanoramaOverlayArea_2481B1F7_5470_DF27_41C6_368D2D4C0DB0.toolTip = Fruits and Green Loops
HotspotPanoramaOverlayArea_C63A7C82_979E_3E17_41CE_545CF65E5D6A.toolTip = Gallery One
HotspotPanoramaOverlayArea_8CAEF409_9FE0_C981_41D0_EA351D526858.toolTip = Gents Toilets
HotspotPanoramaOverlayArea_B724B78B_A47F_E997_41D4_951E2D0EBCE0.toolTip = Ground Floor Cafe
HotspotPanoramaOverlayArea_135B4DF7_74A6_09FE_41D7_BCEF14076C22.toolTip = Half Timer
HotspotPanoramaOverlayArea_7A812537_5EB3_2F2A_4173_CC7FEEBF0579.toolTip = Half Timer
HotspotPanoramaOverlayArea_0A961667_74A2_1A1F_41D8_4BE9CB797655.toolTip = Half Timer
HotspotPanoramaOverlayArea_35461867_7466_761E_41CA_BD52769F9FD7.toolTip = Horricks Model
HotspotPanoramaOverlayArea_35270B44_7466_0A12_41DB_FD05E56ABC26.toolTip = Horricks Model
HotspotPanoramaOverlayArea_FE4AE360_C2A5_03B7_41C4_94698AD2C488.toolTip = Horricks Model
HotspotPanoramaOverlayArea_216AC06F_027D_C4F2_417D_5B380C6A1221.toolTip = Horricks Model View from above
HotspotPanoramaOverlayArea_0583A649_74A2_1A12_41D3_B28B97579BF1.toolTip = In for repair
HotspotPanoramaOverlayArea_670019C0_5E71_2767_41C1_7BEBC06857AC.toolTip = In for repair
HotspotPanoramaOverlayArea_B670435E_EC3E_B8A4_41DF_01DF6F429A5F.toolTip = Ladies Toilet
HotspotPanoramaOverlayArea_389601F8_0791_35DD_418A_FBD662833BD8.toolTip = No9 Young Peoples Space
HotspotPanoramaOverlayArea_6A060840_0D45_DB0F_419B_B8073EA2D95E.toolTip = No9 Young Peoples Space
HotspotPanoramaOverlayArea_4408FAB0_0871_166D_419B_B560BF90E6C4.toolTip = No9 Young Persons Space
HotspotPanoramaOverlayArea_8EE2B610_A5DD_0215_41E1_DAA9708A2A46.toolTip = No9 Young Persons Space
HotspotPanoramaOverlayArea_8CA2C325_9FE0_4F80_41DA_68ECD382B4F0.toolTip = Out to Landing
HotspotPanoramaOverlayArea_8CD7BCD9_9FE7_BA80_41CE_4223E688FE35.toolTip = Out to Landing
HotspotPanoramaOverlayArea_D045946A_5410_4529_41B6_C0B90640C90B.toolTip = Painted Dessert
HotspotPanoramaOverlayArea_128317B5_5825_BA91_41C9_A42A819AC35F.toolTip = Pauline in Yellow Dress
HotspotPanoramaOverlayArea_1D2EAC7E_581F_8D93_41C0_6755EA9C8AC9.toolTip = Pauline in Yellow Dress
HotspotPanoramaOverlayArea_4BA479BB_6C87_4112_41A3_6DF103270F44.toolTip = Pauline in Yellow Dress
HotspotPanoramaOverlayArea_265C47BA_5473_C329_41D0_1655DDE7F2D6.toolTip = Pauline in Yellow Dress
HotspotPanoramaOverlayArea_BB6E7CAA_A547_060A_41DB_B68FFC9511F9.toolTip = Pendulum View
HotspotPanoramaOverlayArea_E1234A18_A1FF_53C3_41D3_0A5EB7BE3903.toolTip = Pink Tulip Dress
HotspotPanoramaOverlayArea_D1F5A2F9_5410_DD2B_41A8_3006107EA00C.toolTip = Pink Tulip Dress
HotspotPanoramaOverlayArea_47C1D82D_EC29_E8E5_41E9_42F3A389CB83.toolTip = Reading Rooms
HotspotPanoramaOverlayArea_92DD9EA2_A54D_0235_41D1_89844B325A0D.toolTip = Rotunda
HotspotPanoramaOverlayArea_D698A80F_EC27_E8A5_41CB_C95CE3F8066B.toolTip = Rotunda
HotspotPanoramaOverlayArea_B66F8647_A47C_AA9F_41A3_A5090F9267C7.toolTip = Second Floor
HotspotPanoramaOverlayArea_B49D177E_A547_020A_41D5_44E6F496DD25.toolTip = Second Floor
HotspotPanoramaOverlayArea_86269F90_A543_0215_41DD_37C70BF8D376.toolTip = Second Floor
HotspotPanoramaOverlayArea_B4ED8129_A545_1E37_41CC_0AF2A2593600.toolTip = Second Floor
HotspotPanoramaOverlayArea_AAE7AE6D_B894_1933_41C1_3D757F6BBCFD.toolTip = Second Floor
HotspotPanoramaOverlayArea_B41DF9C4_A543_0E7E_41D8_A2E0FEEBC28E.toolTip = Second Floor Entrance
HotspotPanoramaOverlayArea_825918C9_9F20_FA80_41B6_D110C401FBCD.toolTip = Second Floor Entrance
HotspotPanoramaOverlayArea_8B5B1E6A_9FE1_B983_41D0_1D9806E60404.toolTip = Second Floor landing
HotspotPanoramaOverlayArea_1CC88088_5E51_65E7_41D4_D3F30A10DD70.toolTip = Serena Reading
HotspotPanoramaOverlayArea_F8C72A89_83D5_ABB8_41DF_9ABF637BFB0C.toolTip = Serena Reading
HotspotPanoramaOverlayArea_D6CE6A70_EC2A_E97C_41C4_3790D9DEADF2.toolTip = Shop & Reception
HotspotPanoramaOverlayArea_975544EE_C5EB_068B_41D7_4F500A8E5ECA.toolTip = Shop & Reception
HotspotPanoramaOverlayArea_34CF4471_746E_1EF3_41C4_8EDAD2694958.toolTip = Skull
HotspotPanoramaOverlayArea_FC7C8954_C2A7_0F9E_41C5_6B1FD38EB941.toolTip = Skull
HotspotPanoramaOverlayArea_C6E66471_9792_2EF5_41B9_51B505170528.toolTip = Special Collections
HotspotPanoramaOverlayArea_8C69E041_A120_4980_41E2_34B3067743DD.toolTip = Special Collections
HotspotPanoramaOverlayArea_DFA0D300_5413_FCD9_41C8_001CA72868A5.toolTip = Srena Reading
HotspotPanoramaOverlayArea_C7E35705_9792_2A1D_4160_1C0C20FB192A.toolTip = Staircase
HotspotPanoramaOverlayArea_1D7E075F_5E73_6B1A_41D6_94A3DAE4E35B.toolTip = Strength
HotspotPanoramaOverlayArea_6754FD0B_73AE_0E16_41C6_979FC5A9C282.toolTip = Strength
HotspotPanoramaOverlayArea_5965EFBF_7716_952B_41D9_EFEB59A4EF4E.toolTip = Sunil & Parents
HotspotPanoramaOverlayArea_2E93EAB7_5470_4D27_41D0_A15E32E31EB8.toolTip = Sunil & Parents
HotspotPanoramaOverlayArea_E694BF5F_8354_6957_41DC_0D9BE9F613DB.toolTip = Sweetest Devotion
HotspotPanoramaOverlayArea_E730713D_8354_56D8_41CB_FC2369DD968E.toolTip = Sweetest Devotion
HotspotPanoramaOverlayArea_5912010D_771E_8AEF_41B6_EC8B025E767B.toolTip = Sweetest Devotion
HotspotPanoramaOverlayArea_63B32A7D_EC7B_A964_41DD_B57AC50D0DF6.toolTip = The Hub
HotspotPanoramaOverlayArea_B429FFFF_A54F_020A_41E0_BF15F6645F6E.toolTip = To First Floor
HotspotPanoramaOverlayArea_B4D152B0_A54F_0215_41C8_B2FDCB5F9F02.toolTip = To First Floor
HotspotPanoramaOverlayArea_51575199_0D4B_AD3E_41A4_5815D994B403.toolTip = Toilets
HotspotPanoramaOverlayArea_AF910634_9350_0E48_41D2_C4B888D0F13E.toolTip = Toilets & Buggy Store
HotspotPanoramaOverlayArea_20147266_5470_FD59_41AE_DC416CC8FDD1.toolTip = Unapologetic
HotspotPanoramaOverlayArea_1D3AAFAB_5824_8AB2_41AC_603CB623DD1A.toolTip = Unapologetic
HotspotPanoramaOverlayArea_13E4121D_5824_F596_41C9_C684D66B8BC9.toolTip = Unapologetic
HotspotPanoramaOverlayArea_80ECBC41_9F20_7980_41CC_9E836B07AE30.toolTip = Up To Egyptian Balcony
HotspotMapOverlayArea_D87504B6_FACB_2696_41D9_1831A848DB64.toolTip = What's On \
Explore our exciting events and exhibitions.
HotspotPanoramaOverlayArea_E56FEEC9_FADA_E2FA_41E2_2C9E130521D4.toolTip = What's on
Explore our exciting events and exhibitions.
HotspotPanoramaOverlayArea_1D19FFF7_5FB1_1B29_41B0_801B71973556.toolTip = Why War ?
HotspotPanoramaOverlayArea_DE972369_5410_C32B_41B3_00FDB837EECE.toolTip = Why War ?
## Media
### Audio
audiores_4BB514E2_169D_84DE_41AE_C021FAD41677.mp3Url = media/audio_5A99C052_16B5_BBFF_419B_2150A79B58CA_en.mp3
audiores_C5226B13_A043_51C6_41C5_8CB2F8479E0F.mp3Url = media/audio_C1043DE8_A05D_D042_41D2_2243942B72E1_en.mp3
### Audio Subtitles
### Description
photo_1ABDBE00_0629_60A6_4196_C49ADD98B0E0.description = First Floor Plan
photo_1ABDBE00_0629_60A6_4196_C49ADD98B0E0.description = First Floor Plan
### Floorplan
### Image
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### Subtitle
panorama_A0E2098F_95B2_E361_41CE_6C3DE9C46BC8.subtitle = Balcony Area
album_99AFE66D_AB4C_C819_41DA_C461BDA2CB8E.subtitle = External Pictures & drone Views
panorama_A1DCE7F8_95B2_2EAF_41AE_002A0406A27D.subtitle = Second Floor
### Title
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panorama_A0E2098F_95B2_E361_41CE_6C3DE9C46BC8.label = 2nd Floor-8
panorama_BA41032A_FFE4_AC43_41E6_75DDFA137286.label = 2nd Floor-9
panorama_9178296C_9F63_DB80_41E3_E0305BD8CC6F.label = Balcony-01
panorama_927951B9_9F63_CA80_41C8_93282235AAF2.label = Balcony-02
panorama_927CAA57_9F63_B981_41D7_503B0ACECC81.label = Balcony-03
panorama_927F8242_9F60_4980_41CE_FA5E54C4531B.label = Balcony-04
panorama_927F7B22_9F60_5F80_41DC_0D5730A0B05A.label = Balcony-05
panorama_927FB3EC_9F60_4E80_41D0_8F49BE7AC2F1.label = Balcony-06
panorama_927FBC6E_9F60_7980_41E3_093634577D4B.label = Balcony-07
video_25567F0B_3174_6171_41B4_64BC5E74B2B2.label = Countryside
map_91A7288C_A0C3_30C3_41A0_F068B24C22EB.label = Egyptian Balcony
map_5244029E_4E37_9266_41D1_8868D370A527.label = First Floor Plan
photo_1ABDBE00_0629_60A6_4196_C49ADD98B0E0.label = First-Floor
photo_1ABDBE00_0629_60A6_4196_C49ADD98B0E0.label = First-Floor
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### Video Subtitles
## Skin
### Button
Button_1763E4A0_0B44_EB0F_41A0_20E30AE178C3.label = Art Gallery
Button_8A05AD9B_E9C4_4689_41EA_846E76A013C2.label = Art Gallery
Button_AC69DF5A_E7CC_C38B_416A_1CD74E0BF38E.label = Art Library
Button_540FED2D_6D8D_C131_41D6_05CD9CE8B01D.label = Art Library
Button_A72E0A71_E744_CD99_41E2_14B328021C9F.label = Cafe
Button_B4140444_E9C4_C5FF_41CE_ED14CD534179.label = Cafe - Coffee Bar
Button_8D61F7BB_E9C5_C289_41D9_C74AFD9EFE11.label = Discover Preston
Button_A6A5828C_E94C_C28F_41EB_3F8B7CE15BC1.label = Discover Preston
Button_6B7C5AA5_EB44_42B9_41E6_D21DD282462A.label = EGYPTIAN BALCONY
Button_B2590A5C_E9C4_4D8F_4193_1FB1CF3DB4ED.label = EGYPTIAN BALCONY
Button_AC189FB1_E7DB_C299_41C8_F21B02915C1F.label = Egyptian Balcony
Button_B11AC6DC_E9BC_C28F_41DD_7317457DEF0F.label = Egyption Balcony
Button_8C13F403_E9C4_4578_41E0_CDFEEC798725.label = Exhibition Gallery
Button_893BBF84_E9CC_437F_41DD_DCC0003FFDE4.label = FIRST FLOOR
Button_A6CBA0F5_E94C_7E99_41E3_B81B62C44F0E.label = FIRST FLOOR
Button_BF81CC35_E945_C599_41E3_D7E91ACD6E24.label = FLOORS
Button_B27347DB_E9C4_4289_41E4_0C2E76E664D8.label = First Floor
Button_ADB17041_E7DC_5DF9_41C3_6C106F1ABF23.label = First Floor
Button_B84FCD4C_E94B_C78F_41DA_65A4F76EE355.label = First Floor Balcony
Button_8AD6FF13_E9C7_C399_41E7_561872C66A55.label = First Floor Balcony
Button_B49BF81D_E9C4_4D89_41C3_5F11831DD91E.label = Flag Market Entrance
Button_A768BDE2_E744_C6BB_41EC_DC83C926A769.label = Flag Market Entrance
Button_D0204EF2_E744_429B_41EC_5D73EA9807E9.label = GROUND FLOOR
Button_B417291B_E9CD_CF89_41E5_C8C7243ACE71.label = GROUND FLOOR
Button_ABBE1E21_E7CD_C5B9_41E6_4CAB0259EAD0.label = Gallery One
Button_A602ED85_E944_C779_41DE_D19A7BB19954.label = Gallery Two
Button_8F8016E3_E9C4_C2B9_41D0_4177348D94A2.label = Gallery Two
Button_AB3CD711_E7DC_C399_41E9_F7EA34F49E4D.label = Ground Floor
Button_2D69E5A6_0628_15A3_4177_39EEF131050C.label = Ground Floor
Button_11C7FFB4_0AC4_F577_4188_F279F886713F.label = Library
Button_A77B31E9_E744_FE89_41B2_136528D267C3.label = No9
Button_B3681A63_E9C4_4DB9_41C1_06BF4CE2D2DE.label = No9
Button_A61EF7CD_E94C_C289_41C2_579BE179B253.label = Reading Rooms
Button_89F24D04_E9CB_C77F_419F_25C4329312E9.label = Reading Rooms
Button_A708F5D9_E744_C689_41DB_4F0A43DFCBBF.label = Rotunda
Button_B729DDA3_E9C4_C6B8_41EC_E79AD33518C7.label = Rotunda
Button_AC03E1BE_E7C5_DE8B_41E6_A6DA4D6E3C6E.label = SECOND FLOOR
Button_AE8FDC62_E7DC_C5BB_41E2_23997B587D95.label = Second Floor
Button_8A056BFB_E9FC_4288_41D0_878B3683B5AB.label = Second Floor
Button_B2C8098B_E9BC_CE89_41DE_4CA00D3B449C.label = Second Floor
Button_31C0A960_6C85_412F_41D6_513078BCD8F9.label = Second Floor Balcony
Button_11C599DF_0ACF_FD32_41A2_A64B6C5E2C0E.label = Shop
Button_29B9C2B4_0628_0FA6_4183_5AC404B4C90A.label = Shop & Reception
Button_8DD4596A_E944_4F8B_41E7_22FBD5146247.label = Special Collections
Button_AAF91000_E7CD_FD78_41D6_8DD6D5C1CCA0.label = Special Collections
Button_8B7F90BB_E9C4_DE89_41D8_253AFDCE8BDC.label = Staircase Landing
Button_B927F6A4_E94C_42BF_41EB_DA421092B2DD.label = Staircase Landing
Button_516F92A4_4899_C2F5_41CC_7FEA69288F07.label = Take Me There
Button_2D385EF2_0B5B_D4F3_417D_02FEBC1E051E.label = Take Me There
Button_376C43C7_0638_0DE2_4188_6E89D8AEE2E1.label = Take Me there
Button_10FBC817_0B44_BB30_4181_43F1147E3465.label = The Hub
Button_368B0A3D_0638_3EA6_4185_6875211B6EC9.label = The Hub
Button_A5C756C5_E97F_C2F9_41E7_5E566414B4A9.label = The Studio
Button_B35D338C_E9C4_428F_41E1_F824C3E8A999.label = The Studio
### Image
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The HARRIS
170 Corporation Street, Preston , PR1 2UQ
TEL : 01772 905421 Email : theharris@preston.gov.uk
HTMLText_890550BD_B6BC_FAFA_41D9_32D7D26897F4_mobile.html = The Harris
Market Square,
Preston , PR1 2PP
Interactive 360 Virtual Tour Showcasing
Our Newly Refurbished Facility.
HTMLText_8A3E2453_DEF0_7CAB_41C6_1C0D67F2DBDE_mobile.html = Contact us on WhatsApp or call 07852 292107
to dicuss your requirements
HTMLText_D38E476C_C5A4_634C_41D2_1C3EEE9BDDDB.html = Contact us on WhatsApp or call 07852 292107
to dicuss your requirements
HTMLText_A53A4C46_9CBC_BCE4_41D8_67C8445A33BD.html = See how a 360 Virtual tour can help your business
HTMLText_DC90485D_C5A5_AD4F_41DD_56FF95C80386.html = Contact us on WhatsApp Chat
or Call us on 07852 292107
HTMLText_D2CCAD6E_E778_F810_41C1_4FB10D2A51A0.html = More Preston City Council Buildings Coming Soon
HTMLText_C2CDAE9B_97C4_2007_41E2_DE4AE65DCE6B.html = Click To Start The Interactive 360 Virtual Tour
HTMLText_D3E91607_E348_1F01_41E8_EF39352926C6.html = Other Preston Locations Coming Soon
HTMLText_A92CE04D_830C_1E1B_41C8_7431428BE062_mobile.html =
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HTMLText_5A1FC353_7717_8D7B_41DC_D5E549F42B3E_mobile.html = Ice Age Elk
This elk skeleton dates from the last Ice Age (~13,500 years ago) and was found in Carleton near Poulton‑le‑Fylde. The injuries and weapons found with it suggest evidence of early human habitation in Lancashire. The Harris also has skeletal remains of red deer, horse, whale, sheep, goat, auroch, etc.
HTMLText_23167A13_0BC4_5F31_4152_B07923677E84.html = Exhibition Galleries
On the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_917342D6_B99F_FE43_41D2_62EF110283A0.html = Exhibition Galleries
On the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_A0D3B4AC_B8F6_AFAF_41AD_9D11E7ED7FA5.html = Gallery One on the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the Harris to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_33052EFD_6C8D_4316_41C5_CC95BEF45B16.html = On the Second Balcony area of the Harris you will find the entrances to the Art Gallery & Art Library, also Gallery One and the Special Collections Gallery.
The galleries are designed to showcase these delicate and valuable items in a secure, controlled environment while making them accessible for study and appreciation. Informative displays and interpretive panels provide context, helping visitors understand the significance and stories behind each item.
In addition to public display, the Special Collections support research, learning, and community engagement. They are a key resource for students, historians, and local residents, allowing the Harris Museum to preserve and celebrate the region’s heritage while inspiring curiosity and exploration for generations to come.
HTMLText_9A61E3A1_B952_AA58_41DD_09AC33468276.html = The Art Library on the second floor of the Harris is a specialized resource for art enthusiasts, students, and researchers. It houses a rich collection of books, periodicals, and reference materials covering a wide range of artistic styles, movements, and techniques. The library provides visitors with a quiet and inspiring space to study, explore, and deepen their understanding of art.
Designed to complement the museum’s galleries, the Art Library offers access to both contemporary publications and historical texts, allowing users to trace the development of art through the ages. Comfortable seating and well-organized collections make it an inviting place for research, learning, and reflection.
In addition to individual study, the Art Library supports workshops, talks, and educational programs, connecting literature and visual arts in a hands-on way. By combining accessibility, knowledge, and inspiration, it enhances the Harris Museum’s mission to engage the public with art and culture.
HTMLText_A588BDC4_B976_CA40_41DB_F521318FC0C7.html = The Special Collections on the second floor of the Harris house rare and unique items that reflect the rich cultural, historical, and artistic heritage of Preston and beyond. These collections include manuscripts, rare books, archival materials, and objects of significant historical value, offering visitors a glimpse into the past through carefully preserved treasures.
The galleries are designed to showcase these delicate and valuable items in a secure, controlled environment while making them accessible for study and appreciation. Informative displays and interpretive panels provide context, helping visitors understand the significance and stories behind each item.
In addition to public display, the Special Collections support research, learning, and community engagement. They are a key resource for students, historians, and local residents, allowing the Harris Museum to preserve and celebrate the region’s heritage while inspiring curiosity and exploration for generations to come.
HTMLText_A1CE7C7A_B93D_F86F_41B8_EF08A2EDF59B.html = The Second-Floor Art Gallery at the Harris offers visitors a dedicated space to explore a diverse range of artworks, from classical paintings to contemporary pieces. This gallery provides an immersive experience, allowing the museum to display both permanent collections and temporary exhibitions in a setting designed to highlight the detail, technique, and significance of each work.
The gallery’s layout and lighting are carefully designed to enhance the visual impact of the art, creating an environment where visitors can engage deeply with each piece. Interpretive panels and educational materials provide context, connecting the artworks to broader artistic movements, historical events, and cultural themes.
By hosting rotating exhibitions alongside its permanent collection, the Second-Floor Art Gallery ensures there is always something new to discover. It serves as both a cultural showcase and an educational resource, inviting visitors of all ages to appreciate, reflect on, and be inspired by the world of art.
HTMLText_649621C0_5411_DF59_41B5_65550FA8FE0C.html = STRENGTH
As seen on Channel 4’s Great Pottery Throwdown, Christine Cherry created the self-sculpture to represent her battle with breast cancer, in what she described as a truly cathartic experience
HTMLText_7A907C0F_5470_C4E7_41C4_8B53A4E66ECC.html = SUITE: FRUITS & GREEN LOOP
Set of 5 prints by artist Tony Heaton OBE.
The prints, SUITE: FRUITS 2019, have been acquired alongside Green Loop.
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HTMLText_E6561F7B_C2AD_0389_41C6_5BE1AF1974B6.html = Ice Age Elk
This elk skeleton dates from the last Ice Age (~13,500 years ago) and was found in Carleton near Poulton‑le‑Fylde. The injuries and weapons found with it suggest evidence of early human habitation in Lancashire. The Harris also has skeletal remains of red deer, horse, whale, sheep, goat, auroch, etc.
HTMLText_7A919C0E_5470_C4E9_41C6_E8A006C55023_mobile.html =
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HTMLText_6D069EAE_5433_C526_41BA_EBB04A5B5ADE.html = The Half-timer
(Portrait of Annie Hill)
Annie Hill was 12 years old when Mayor painted this portrait. She worked as a half-timer at Horrockses cotton mill, splitting her day between work and school.
It was unusual at the time for working women to have their portraits painted. The painting was carried in the Women’s Sunday march in London in 1908 to represent thousands of working women and children like Annie. It played an important role in the campaign for women’s suffrage, helping to demonstrate that women contributed their labour and taxes to the country and should have a say in the country’s politics.
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Frequently Asked Questions
What are your opening times ?
Monday - Saturday, Open until 9pm on Thursays.
What public Transport can I use ?
If you’re coming by bus, Preston Bus Station is just a short 3-minute walk away.
Using the train? Preston Train Station is about a 10-minute stroll.
Need a taxi? The closest Taxi Rank is on Lancaster Road (west side), and you can get dropped off near the front on Market Place or the back on Lancaster Road.
We also have two large park-and-ride facilities nearby with regular bus services:
Capitol Centre, Walton-le-Dale PR5 4AR
Portway and Hartington Road: PR1 8PQ
Driving ?
While we don’t have a car park at The Harris, there are plenty of car parks within a short walking distance.
The nearest one is a large multi-storey car park at Preston Bus Station, located at Carlisle St, Preston PR1 1DJ. This car park also offers designated disabled parking on levels one and three.
If you need a dedicated disabled space, Chapel Yard is just a 5-minute walk away and has 30 spaces available for blue badge holders, open 24 hours a day, 7 days a week.
Cycling ?
Getting around Preston by bike is a breeze.
The Guild Wheel cycleway encircles Preston, and you can cycle from it to us in a few minutes.
If you’re cycling in, you can securely park your bike at Preston Train Station or at the Leisure Lakes Bike Hub, which is located at the back of the station. And there’s a spot near Harris too, located on The Flag Market.
How can I contact the Harris ?
By phone or email :
Tel : 01772 905421
Email : theharris@preston.gov.uk
Whats in the Harris ?
The Harris in Preston contains art and museum collections, including fine art, contemporary art, fashion and textiles, ceramics, glass, and archaeology, alongside a library and a dedicated space for creative workshops and community exhibitions. You can also find specific items like a 13,000-year-old elk, Ancient Egyptian artifacts, and a collection of toys. The building also houses a museum café and shop.
HTMLText_3D62545D_1BBD_610C_41AC_78BB95B1B06F.html =
Frequently Asked Questions
What are your opening times ?
Monday - Saturday, Open until 9pm on Thurdsay
What public Transport can I use ?
If you’re coming by bus, Preston Bus Station is just a short 3-minute walk away.
Using the train? Preston Train Station is about a 10-minute stroll.
Need a taxi? The closest Taxi Rank is on Lancaster Road (west side), and you can get dropped off near the front on Market Place or the back on Lancaster Road.
We also have two large park-and-ride facilities nearby with regular bus services:
Capitol Centre, Walton-le-Dale PR5 4AR
Portway and Hartington Road: PR1 8PQ
Driving ?
While we don’t have a car park at The Harris, there are plenty of car parks within a short walking distance.
The nearest one is a large multi-storey car park at Preston Bus Station, located at Carlisle St, Preston PR1 1DJ. This car park also offers designated disabled parking on levels one and three.
If you need a dedicated disabled space, Chapel Yard is just a 5-minute walk away and has 30 spaces available for blue badge holders, open 24 hours a day, 7 days a week.
Cycling ?
Getting around Preston by bike is a breeze.
The Guild Wheel cycleway encircles Preston, and you can cycle from it to us in a few minutes.
If you’re cycling in, you can securely park your bike at Preston Train Station or at the Leisure Lakes Bike Hub, which is located at the back of the station. And there’s a spot near Harris too, located on The Flag Market.
How can I contact the Harris ?
By phone or email :
Tel : 01772 905421
Email : theharris@preston.gov.uk
Whats in the Harris ?
The Harris in Preston contains art and museum collections, including fine art, contemporary art, fashion and textiles, ceramics, glass, and archaeology, alongside a library and a dedicated space for creative workshops and community exhibitions. You can also find specific items like a 13,000-year-old elk, Ancient Egyptian artifacts, and a collection of toys. The building also houses a museum café and shop.
HTMLText_DC90485D_C5A5_AD4F_41DD_56FF95C80386_mobile.html = Contact us on WhatsApp Chat
Or Call on 07852 292107
HTMLText_A6FEB5EC_E348_1D07_41E3_BB7E770AF066_mobile.html =
The Flag Market Entrance Foyer of the Harris offers visitors a grand welcome to Preston’s cultural heart. With its spacious design, elegant stonework, and high ceilings, the foyer reflects the museum’s Neo-Classical style and Victorian grandeur. Serving as the gateway to the museum, library, and galleries, it provides a bright, open space where visitors can gather, explore, and begin their cultural journey.
HTMLText_AD39DEA6_86D9_F6E0_41CC_1EF64EF6D479_mobile.html = The Harris Shop offers visitors a carefully curated selection of gifts, books, and souvenirs inspired by the museum’s collections and exhibitions. From art prints and stationery to locally made crafts and educational materials, the shop provides a way to take a piece of the Harris experience home.
Designed to be welcoming and accessible, the shop complements the museum visit by offering unique items that reflect the history, art, and culture of Preston and the surrounding region. Knowledgeable staff are on hand to assist visitors, ensuring a pleasant and engaging shopping experience.
Beyond gifts and souvenirs, the shop also supports the museum’s mission by promoting local artists and producers, making it a space that celebrates creativity and community. Whether looking for a special keepsake, an educational resource, or a unique artwork, the Harris Shop provides something for every visitor.
HTMLText_65EF058E_E3C8_1D03_41DA_398BD1680114_mobile.html = The Art Library on the second floor of the Harris is a specialized resource for art enthusiasts, students, and researchers. It houses a rich collection of books, periodicals, and reference materials covering a wide range of artistic styles, movements, and techniques. The library provides visitors with a quiet and inspiring space to study, explore, and deepen their understanding of art.
Designed to complement the museum’s galleries, the Art Library offers access to both contemporary publications and historical texts, allowing users to trace the development of art through the ages. Comfortable seating and well-organized collections make it an inviting place for research, learning, and reflection.
In addition to individual study, the Art Library supports workshops, talks, and educational programs, connecting literature and visual arts in a hands-on way. By combining accessibility, knowledge, and inspiration, it enhances the Harris Museum’s mission to engage the public with art and culture.
HTMLText_B8AF9473_E3D8_7301_41C0_BE9DC2980127_mobile.html = The Exhibition Galleries on the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_B2D81D83_E358_6D01_41EA_69D8FC717935_mobile.html = The First Floor Hub at the Harris is a vibrant space designed for learning, creativity, and community engagement. Hosting workshops, events, and interactive activities, it brings together visitors of all ages to explore art, history, and culture in a hands-on way. With its flexible layout and welcoming atmosphere, the Hub complements the museum’s galleries and library, making it a lively centre for discovery.
HTMLText_B9CB86FB_E338_1F01_41E5_E832B989254C_mobile.html = The Preston Galleries at the Harris showcase a rich selection of artworks that celebrate both local and wider artistic heritage. With a focus on paintings, sculptures, and decorative arts, the galleries highlight the cultural history of Preston while connecting it to national and international artistic movements. The carefully curated displays offer visitors an engaging journey through time, style, and technique.
The galleries are designed with a thoughtful layout that allows for an immersive experience, encouraging exploration and reflection. Natural light and elegant architectural details enhance the presentation of the collections, making each visit visually and intellectually stimulating. Educational panels and interpretive displays provide context, helping visitors to connect with the stories behind the art.
In addition to its permanent collections, the Preston Galleries host temporary exhibitions and special events, ensuring that there is always something new to discover. By combining historical works with contemporary perspectives, the galleries offer a dynamic cultural experience that appeals to art enthusiasts, students, and the wider community alike.
HTMLText_B2C565BB_E358_3D01_41AC_FC2A6594E50D_mobile.html = The Reading Rooms at the Harris provide a calm and inviting space for study and research. Housing a wide range of books, manuscripts, and local archives, they offer visitors a quiet environment to explore literature, history, and knowledge. The rooms complement the museum and library, making them a key resource for learning and reflection.
HTMLText_B940F69C_E348_1F07_41E8_096CF28ADE9B_mobile.html = The Staircase Landing Areas of the Harris are more than just transitional spaces—they are an integral part of the building’s architectural charm. Rising gracefully between floors, the staircases feature elegant balustrades, detailed stonework, and spacious landings that echo the museum’s Neo-Classical design. These areas give visitors a moment to pause and appreciate the craftsmanship and grandeur that characterises the historic building.
HTMLText_B57A0AD7_E9DF_C299_41DD_2BBE6DA4FCFB_mobile.html = The Studio area at the Harris is a vibrant area designed to inspire curiosity, creativity, and hands-on learning for visitors of all ages. Located on the ground floor, it provides a welcoming environment where workshops, educational programs, and interactive activities take place, connecting people directly with art, history, and culture.
Equipped with flexible workstations, digital tools, and materials for a wide range of creative projects, the space encourages experimentation and collaboration. Visitors can explore drawing, crafting, digital media, and other creative pursuits in a supportive and engaging setting.
The Creative Learning Space also complements the Harris's galleries and exhibitions, allowing participants to respond to the collections in inventive ways.
By fostering imagination, skill-building, and active engagement, it plays a key role in the Harris's mission to make learning accessible, enjoyable, and meaningful for everyone.
HTMLText_942CF8B1_E3FB_F301_41EC_30E2240F2366_mobile.html = The Special Collections Gallery on the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_BEF070A4_E3C8_1307_41DA_FCBDEFD8915B_mobile.html = The First Floor Balcony of the Harris, is a welcoming space designed for relaxation, learning, and community interaction. With comfortable seating, natural light, and an inviting atmosphere, it provides a place for visitors to pause, read, or engage with digital and physical resources related to Preston’s heritage and culture.
The space also serves as a flexible venue for talks, workshops, and small group activities, allowing people of all ages to connect with the museum’s collections in a more informal setting. Exhibitions, displays, and interactive elements often complement the space, creating opportunities for exploration and discovery beyond the traditional galleries.
By blending comfort, accessibility, and cultural engagement, the Preston Living Room enhances the visitor experience and supports the Harris Museum’s mission to be a space for learning, creativity, and community connection.
HTMLText_AF009EFC_86D9_D660_41CB_852F8CCFFFDE_mobile.html = The Ground floor Café at the Harris offers visitors a welcoming space to relax, refresh, and enjoy light refreshments before or after exploring the galleries. With comfortable seating, a bright and airy atmosphere, and views into the museum’s interior, it provides a pleasant setting for socialising or taking a break.
Designed to complement the museum experience, the café combines modern amenities with the building’s historic charm. Visitors can enjoy a range of drinks and snacks while surrounded by the architectural elegance of the Neo-Classical interiors, making it both a practical and inviting part of a museum visit.
The café also serves as a hub for informal gatherings, educational events, and community activities, reinforcing the Harris's role as a cultural and social centre. Its location on the ground floor ensures easy access for all visitors, enhancing the overall experience of the museum.
HTMLText_63ED7F91_E3C8_6D00_41E1_79AEE442AAB7_mobile.html = The Second-Floor Art Gallery at the Harris offers visitors a dedicated space to explore a diverse range of artworks, from classical paintings to contemporary pieces. This gallery provides an immersive experience, allowing the museum to display both permanent collections and temporary exhibitions in a setting designed to highlight the detail, technique, and significance of each work.
The gallery’s layout and lighting are carefully designed to enhance the visual impact of the art, creating an environment where visitors can engage deeply with each piece. Interpretive panels and educational materials provide context, connecting the artworks to broader artistic movements, historical events, and cultural themes.
By hosting rotating exhibitions alongside its permanent collection, the Second-Floor Art Gallery ensures there is always something new to discover. It serves as both a cultural showcase and an educational resource, inviting visitors of all ages to appreciate, reflect on, and be inspired by the world of art.
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No.9 at the Harris is a dedicated space for young people, designed to inspire creativity, learning, and community engagement. It offers a safe and welcoming environment where children and teenagers can explore art, culture, and heritage through hands-on activities, workshops, and interactive projects.
The space is equipped with flexible learning areas, digital resources, and materials that encourage experimentation and personal expression. From creative arts and crafts to digital media and collaborative projects, No.9 provides a wide range of opportunities for young visitors to develop skills, confidence, and curiosity.
No.9 also hosts educational programs linked to the museum’s exhibitions, connecting young people with Preston’s cultural history while fostering creativity and critical thinking. By combining fun, learning, and cultural engagement, No.9 supports the Harris Museum’s mission to make art and heritage accessible and inspiring for the next generation.
HTMLText_B86B5712_E3C8_3D00_41DE_4838822E6ECB_mobile.html = Galleries One on the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_810EC56A_E3D8_3D00_41DA_66365DCBD367_mobile.html = Gallery One on the second floor of the Harris provide a versatile space for rotating and temporary exhibitions. These galleries allow the museum to showcase a wide range of art, history, and cultural displays, from contemporary works to historical collections, keeping the visitor experience fresh and engaging.
Designed with flexibility and visitor engagement in mind, the galleries feature adaptable layouts, carefully controlled lighting, and clear interpretive signage. This ensures that each exhibition can be displayed to its best effect, allowing visitors to fully appreciate the details, context, and significance of the works on show.
The second-floor Exhibition Galleries also serve as a hub for educational programs, talks, and workshops, linking the exhibitions to wider learning opportunities. By hosting both local and touring exhibitions, the galleries offer a dynamic cultural experience that encourages repeated visits and fosters an ongoing connection between the museum and the community.
HTMLText_B9AF3025_E338_1301_41EA_D1720009C077_mobile.html = Gallery Two at the Harris is a dynamic space dedicated to celebrating local creativity and engaging the public with art. It provides a platform for community groups, schools, and emerging artists to showcase their work, fostering a sense of connection and participation in Preston’s cultural life.
Designed to be flexible and welcoming, the gallery hosts a variety of exhibitions, workshops, and collaborative projects. Visitors can explore diverse artistic styles and mediums, from painting and photography to sculpture and mixed media, all reflecting the creativity of the local community. Informational panels and interactive elements often accompany displays, encouraging dialogue and deeper engagement with the artworks.
By highlighting local talent and offering opportunities for participation, the Community Gallery reinforces the Harris Museum’s mission to make art accessible and relevant to everyone. It is a space where visitors of all ages can be inspired, learn, and contribute to the vibrant cultural life of Preston.
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HTMLText_E95B4CF3_C2A5_0699_41D1_F0E3ABA4F5E7_mobile.html = Horrocks Mill Model
This model of Horrockses Yard Works in Stanley Street Preston was made for the visit of King George V and Queen Mary in 1913. The Yard Works was the largest cotton manufacturing site in Europe at the time the model was made. Horrockses was the jewel in the crown of Preston’s booming cotton industry, exporting cotton goods all over the world and launching a fashion label in 1946. There are extensive collections at the Harris on Horrockses including items associated with the manufacture of cotton, finished goods, archival material and Horrockses Fashions dresses. They also relate to items from Courtaulds rayon factory, which produced synthetic fibres in Preston from the 1930s.
HTMLText_5902A4E7_7717_8B5B_41D7_040BA9049448_mobile.html = Human Skull
A skull from a man who lived in NW England ~5,500 years ago (aged ~40 at death). The Harris has 23 human skulls, many found during Preston Dock excavations. Other Stone Age collections include flints from the Bann culture (Northern Ireland), stone axes, arrowheads, etc.
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The Harris Family Library in Preston, Lancashire, is a landmark of culture and learning. Opened in 1893, its striking Neo-Classical architecture reflects the city’s rich Victorian heritage. The library houses a diverse collection of books, manuscripts, and local archives, providing a quiet space for study and research.
More than just a library, it hosts exhibitions, workshops, and events, making it a vibrant hub for education and the arts. Blending literature, history, and culture, the Harris continues to inspire and engage visitors of all ages.
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The Harris Art Gallery showcases a diverse collection of paintings, sculptures, and decorative arts spanning centuries. Its elegant galleries provide a serene setting for visitors to explore both historic masterpieces and contemporary works. The space is designed to inspire creativity and reflection, making it a central part of Preston’s cultural experience.
HTMLText_AD761754_86CA_F7A0_41B7_7705E071259D.html = The Desvover Preston Galleries at the Harris showcase a rich selection of artworks that celebrate both local and wider artistic heritage. With a focus on paintings, sculptures, and decorative arts, the galleries highlight the cultural history of Preston while connecting it to national and international artistic movements. The carefully curated displays offer visitors an engaging journey through time, style, and technique.
The galleries are designed with a thoughtful layout that allows for an immersive experience, encouraging exploration and reflection. Natural light and elegant architectural details enhance the presentation of the collections, making each visit visually and intellectually stimulating. Educational panels and interpretive displays provide context, helping visitors to connect with the stories behind the art.
In addition to its permanent collections, the Preston Galleries host temporary exhibitions and special events, ensuring that there is always something new to discover. By combining historical works with contemporary perspectives, the galleries offer a dynamic cultural experience that appeals to art enthusiasts, students, and the wider community alike.
HTMLText_A8AAFF9F_86CA_56A0_41B0_1E9839E3CB3D.html = The First-Floor Hub at the Harris is a vibrant space designed for learning, creativity, and community engagement. Hosting workshops, events, and interactive activities, it brings together visitors of all ages to explore art, history, and culture in a hands-on way. With its flexible layout and welcoming atmosphere, the Hub complements the museum’s galleries and library, making it a lively centre for discover
HTMLText_AD08DC04_86CA_B9A0_41A3_932E1037DC35.html = The Reading Rooms at the Harris provide a calm and inviting space for study and research. Housing a wide range of books, manuscripts, and local archives, they offer visitors a quiet environment to explore literature, history, and knowledge. The rooms complement the museum and library, making them a key resource for learning and reflection.
HTMLText_AD0F78CC_86CA_DAA0_41BF_4761E757FB51.html = The Staircase Landing areas of the Harris are more than just transitional spaces—they are an integral part of the building’s architectural charm. Rising gracefully between floors, the staircases feature elegant balustrades, detailed stonework, and spacious landings that echo the museum’s Neo-Classical design. These areas give visitors a moment to pause and appreciate the craftsmanship and grandeur that characterises the historic building.
The landings often serve as small exhibition spaces, displaying artworks, informational panels, or highlights from the museum’s collection. This makes the journey between floors an engaging experience, where visitors can discover pieces they might otherwise miss while moving through the galleries.
Light from tall windows illuminates the staircase areas, enhancing the sense of openness and creating a welcoming atmosphere. Whether ascending to the first-floor Hub, exploring the library, or heading to the art galleries, visitors are greeted at every level with architectural beauty and subtle educational opportunities.
Overall, the Harris Museum’s staircase landings exemplify how thoughtful design can turn everyday movement through a building into a moment of reflection, discovery, and appreciation for both art and architecture.
HTMLText_AAB612BE_8636_6EE0_41AA_8C000EFDB4CA.html = Gallery Two at the Harris is a dynamic space dedicated to celebrating local creativity and engaging the public with art. It provides a platform for community groups, schools, and emerging artists to showcase their work, fostering a sense of connection and participation in Preston’s cultural life.
Designed to be flexible and welcoming, the gallery hosts a variety of exhibitions, workshops, and collaborative projects. Visitors can explore diverse artistic styles and mediums, from painting and photography to sculpture and mixed media, all reflecting the creativity of the local community. Informational panels and interactive elements often accompany displays, encouraging dialogue and deeper engagement with the artworks.
By highlighting local talent and offering opportunities for participation, the Community Gallery reinforces the Harris Museum’s mission to make art accessible and relevant to everyone. It is a space where visitors of all ages can be inspired, learn, and contribute to the vibrant cultural life of Preston.
HTMLText_25FD133B_74A7_FA77_41BF_E7B7002895F4_mobile.html =
In 2019, local Preston artist Gavin Renshaw flew in a light aircraft above Preston. He created a bird’s-eye view drawing looking down on the city during the Covid-19 pandemic. The detailed line drawing is titled ‘Corona’ and is 1.5 metres long.
The drawing depicts the university buildings, and student houses are in the foreground. The public buildings and high-rise towers sit in front of the Higher Walton’s hill.
HTMLText_26B8D858_74A6_1632_41D2_1016265761ED_mobile.html =
This pretty pink cotton halter neck sun dress is printed with a yellow and white tulip pattern, it also come with a matching bolero and belt.
The dress was designed by Joyce Badrocke, who was the in-house designer for Horrockses Fashions. This particular Horrockses fabric print in blue was chosen by Queen Elizabeth II for her 1953-4 tour of New Zealand. The design wouldn’t have been made available to the public until after she had worn it!
The donor purchased her version of the dress at Nottingham House on Fishergate in Preston in 1954 to wear for her honeymoon.
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Visit our Central area where you'll find our Rotunda in all it's Glory.
At the heart of the Harris is the iconic ground floor rotunda, a social space to introduce and discover connections with the Harris and its collection items. All central rotunda spaces will tell stories of the Harris across time through a variety of different lenses.
Be inspired and discover the answers to thought-provoking questions such as: why the Grade I-listed classical building is named the Harris, why the Harris looks the way it does, what the Harris does and most importantly, what the Harris means to us. Featured in the rotunda will be a co-curated community display which will alternate every 12 months to showcase as many groups as possible.
This explorative welcome offers a new insight into the diverse collections that can be found at the Harris. Harris staff, volunteers, Friends of the Harris and partners will use this space to share stories of how the collections came together. Presenting a consistently fresh and responsive interior, the rotunda will blend architecture, collections and activities together in innovative ways.
Prestonians will be pleased to see the return of the cherished Foucault Pendulum to the Harris rotunda, when the Harris reopens in 2025.
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HTMLText_8B43E3A8_9C6D_EBAB_41E0_08078EE387EE.html = Email : simon@sphere-interiors.co.uk
Web : www.sphere-interiors.co.uk
Web : www.cre8te360.co.uk
HTMLText_AF009EFC_86D9_D660_41CB_852F8CCFFFDE.html = The Ground floor Café at the Harris offers visitors a welcoming space to relax, refresh, and enjoy light refreshments before or after exploring the galleries. With comfortable seating, a bright and airy atmosphere, and views into the museum’s interior, it provides a pleasant setting for socialising or taking a break.
Designed to complement the museum experience, the café combines modern amenities with the building’s historic charm. Visitors can enjoy a range of drinks and snacks while surrounded by the architectural elegance of the Neo-Classical interiors, making it both a practical and inviting part of a museum visit.
The café also serves as a hub for informal gatherings, educational events, and community activities, reinforcing the Harris's role as a cultural and social centre. Its location on the ground floor ensures easy access for all visitors, enhancing the overall experience of the museum.
HTMLText_AD39DEA6_86D9_F6E0_41CC_1EF64EF6D479.html = The Harris Shop offers visitors a carefully curated selection of gifts, books, and souvenirs inspired by the museum’s collections and exhibitions. From art prints and stationery to locally made crafts and educational materials, the shop provides a way to take a piece of the Harris experience home.
Designed to be welcoming and accessible, the shop complements the museum visit by offering unique items that reflect the history, art, and culture of Preston and the surrounding region. Knowledgeable staff are on hand to assist visitors, ensuring a pleasant and engaging shopping experience.
Beyond gifts and souvenirs, the shop also supports the museum’s mission by promoting local artists and producers, making it a space that celebrates creativity and community. Whether looking for a special keepsake, an educational resource, or a unique artwork, the Harris Shop provides something for every visitor.
HTMLText_945AAC48_EAFC_45F7_41D3_2BFB1B6875D3.html = Visit our Central area where you'll find our Rotunda in all it's Glory.
At the heart of the Harris is the iconic ground floor rotunda, a social space to introduce and discover connections with the Harris and its collection items. All central rotunda spaces will tell stories of the Harris across time through a variety of different lenses.
Be inspired and discover the answers to thought-provoking questions such as: why the Grade I-listed classical building is named the Harris, why the Harris looks the way it does, what the Harris does and most importantly, what the Harris means to us. Featured in the rotunda will be a co-curated community display which will alternate every 12 months to showcase as many groups as possible.
This explorative welcome offers a new insight into the diverse collections that can be found at the Harris. Harris staff, volunteers, Friends of the Harris and partners will use this space to share stories of how the collections came together. Presenting a consistently fresh and responsive interior, the rotunda will blend architecture, collections and activities together in innovative ways.
Prestonians will be pleased to see the return of the cherished Foucault Pendulum to the Harris rotunda, when the Harris reopens in 2025.
HTMLText_AF0108AD_86D9_BAE0_41CE_48B3BE43837C.html = No.9 at the Harris is a dedicated space for young people, designed to inspire creativity, learning, and community engagement. It offers a safe and welcoming environment where children and teenagers can explore art, culture, and heritage through hands-on activities, workshops, and interactive projects.
The space is equipped with flexible learning areas, digital resources, and materials that encourage experimentation and personal expression. From creative arts and crafts to digital media and collaborative projects, No.9 provides a wide range of opportunities for young visitors to develop skills, confidence, and curiosity.
No.9 also hosts educational programs linked to the museum’s exhibitions, connecting young people with Preston’s cultural history while fostering creativity and critical thinking. By combining fun, learning, and cultural engagement, No.9 supports the Harris Museum’s mission to make art and heritage accessible and inspiring for the next generation.
HTMLText_AABC430C_8636_EFA7_41DE_38E7F576910E.html = The First Floor Balcony,
A welcoming space designed for relaxation, learning, and community interaction. With comfortable seating, natural light, and an inviting atmosphere, it provides a place for visitors to pause, read, or engage with digital and physical resources related to Preston’s heritage and culture.
The Balcony also serves as a flexible venue for talks, workshops, and small group activities, allowing people of all ages to connect with the museum’s collections in a more informal setting. Exhibitions, displays, and interactive elements often complement the space, creating opportunities for exploration and discovery beyond the traditional galleries.
HTMLText_ACA60E77_86D6_5660_41D9_308E50B8661E.html = The Flag Market Entrance Foyer of the Harris offers visitors a grand welcome to Preston’s cultural heart. With its spacious design, elegant stonework, and high ceilings, the foyer reflects the museum’s Neo-Classical style and Victorian grandeur. Serving as the gateway to the museum, library, and galleries, it provides a bright, open space where visitors can gather, explore, and begin their cultural journey.
HTMLText_B32C1346_E947_C3FB_41E0_09F8CF9E1D83.html = The Studio at the Harris is a vibrant area designed to inspire curiosity, creativity, and hands-on learning for visitors of all ages. Located on the ground floor, it provides a welcoming environment where workshops, educational programs, and interactive activities take place, connecting people directly with art, history, and culture.
Equipped with flexible workstations, digital tools, and materials for a wide range of creative projects, the space encourages experimentation and collaboration. Visitors can explore drawing, crafting, digital media, and other creative pursuits in a supportive and engaging setting.
The Creative Learning Space also complements the museum’s galleries and exhibitions, allowing participants to respond to the collections in inventive ways. By fostering imagination, skill-building, and active engagement, it plays a key role in the Harris Museum’s mission to make learning accessible, enjoyable, and meaningful for everyone.
HTMLText_7A5B9994_4E0A_BE7A_41B4_86DAB9883CAC.html = About the Harris
This impressive building was designed by local architect James Hibbert, who chose a Neo-Classical style rather than the Gothic Revival look that was so popular during the 1880s. His bold decision gave the building a distinctive character that set it apart from many of Preston’s other landmarks — including the old Town Hall that once stood just to the west of the Harris.
Built to reflect confidence, culture, and pride, the design features grand columns, elegant stonework, and carefully balanced proportions — all trademarks of classical architecture. It was intended not just as a functional public space, but as a statement of Preston’s growing importance during the Victorian era.
Over the years, the building has become a much-loved local landmark, hosting countless exhibitions, events, and community gatherings. Its impressive design and rich history continue to make it one of Preston’s most recognisable and admired buildings.
Today, as you explore this 360 virtual tour, you can take a closer look at the stunning details and craftsmanship that make this place so special — just as visitors have done for more than a century.
HTMLText_177F612E_5413_FF29_41D1_D221192C92A9.html = A Curious Herbal
Elizabeth Blackwell was a botanical illustrator and author. This remarkable book is part of the Shepherd Collection and was first published 1737-1739 and is one of the earliest publications on botany by a woman. The beautiful illustrations that she engraved and coloured are accompanied by descriptions of the medical uses of the plants.
HTMLText_16B98C5D_5430_456B_41B8_3C0E97E7398E.html = A Curious Herbal
Elizabeth Blackwell was a botanical illustrator and author. This remarkable book is part of the Shepherd Collection and was first published 1737-1739 and is one of the earliest publications on botany by a woman. The beautiful illustrations that she engraved and coloured are accompanied by descriptions of the medical uses of the plants.
HTMLText_2BC816E7_74A2_3A1E_41B6_0F57B184ADBD.html = Baa’s Gold.
(Family Portrait)
Presented by the Contemporary Art Society through the Collections Fund at Frieze, 2021/22
Hetain Patel aims to challenge assumptions about how we look and where we come from. As a child and teenager, he was greatly inspired by comic book heroes. This painting comes from a body of work that grew out of a robbery that his grandmother (called Baa, which means ‘mother’ in Gujarati) suffered in 2015, during which her gold jewellery was forced from her wrists. Patel’s deeply personal paintings ‘seek to retrieve Baa’s gold’, which for the artist is a metaphor for everything that has been taken from his family via the systematic racism experienced in the UK since his birth and before.
HTMLText_54DD2633_7736_F73B_41C1_7F2A4F4B4E9E.html = Ceramic Fairy Mug
Our second acquisition from Christine Cherry is this Ceramic Fairy Mug. Inspired by a ceramic tea set that she created during her time on the Channel 4 programme, this beautiful mug features a small fairy frolicking amongst delightful flowers and ladybugs. The mug will be displayed alongside Christine’s self-sculpture when we reopen.
HTMLText_20C573EB_74FE_1A16_41B1_7B6E2B095C41.html = Corona
In 2019, local Preston artist Gavin Renshaw flew in a light aircraft above Preston. He created a bird’s-eye view drawing looking down on the city during the Covid-19 pandemic. The detailed line drawing is titled ‘Corona’ and is 1.5 metres long.
The drawing depicts the university buildings, and student houses are in the foreground. The public buildings and high-rise towers sit in front of the Higher Walton’s hill.
HTMLText_10F9D0E7_5430_5D27_41C4_1BD477704C89.html = Fauna
Copyright: Jacqueline Bishop. Courtesy the artist.
The Harris is thrilled to announce a new acquisition to our collection, presented by Contemporary Art Society. Jacqueline Bishop’s interdisciplinary masterpiece, ‘Fauna’, sheds light on overlooked narratives of enslaved women in Caribbean society. Commissioned by The Harris, this evocative ceramic work intertwines botanical elements with maternal themes, unveiling poignant stories of resilience. Displaying alongside historical pieces, ‘Fauna’ sparks dialogues on the global history of tea and colonialism.
Presented by Contemporary Art Society through the Omega Fund, 2023/24.
HTMLText_6D6894EF_5430_C527_41A5_92AE3F4FEDFC.html = NS-02 Forms in Succession
This ceramic can be displayed from any angle: it doesn’t have a front, back, top or bottom. It is made by melting two slip-cast porcelain rectangles together in the kiln. The intensity of heat warps the rectangles into these two interlocking shapes.
HTMLText_0F7AE862_83B5_B769_41D6_AD4FD22FD832.html = Pauline in the Yellow Dress By Sir James Gunn
There are over 800 oil paintings and over 6,000, watercolours, drawings and prints at the Harris. The collection includes 18th century portraits and landscapes, Victorian and 20th century paintings, prints and drawings by British and European artists from around 1400 to the present day, and work by regional artists.
This portrait of Pauline Gunn, the artist’s wife, caused a sensation when it was first displayed at the Royal Academy in London. It was voted picture of the year and described as ‘the Mona Lisa of 1944’ by the Daily Mail.
The Harris purchased the painting. Visitors flocked to see her when the painting first arrived in Preston. They were captivated by her gaze and sometimes outraged by the yellow dress, made with extravagant amounts of fabric during war time rationing. At the time, Gunn was one of Britain’s most popular portrait painters. His seemingly effortless style brought him numerous commissions, including the Royal Family, prime ministers, and leading artistic and literary figures of the day.
Today, Pauline in the Yellow Dress is still our most popular painting. much representation in sports teams I feel it is important to be a role model for others and myself’
HTMLText_17D3240F_5410_44E7_41CB_8652E930F50D.html = Serena Reading
‘Serena Reading’ shows the heroine from a poem called ‘Triumphs of Temper’ by William Hayley, a close friend of Romney. The poem tells how Serena became so engrossed in a book that she read all through the night. Daylight is breaking and her candle has burnt down. Romney was born near Dalton-in-Furness, Cumbria, but moved to London, where he was the most fashionable portrait painter of his era.
HTMLText_55B5348D_7736_8BEF_41D3_7B55A89AA39A.html = Sweetest Devotion.
Textile Artwork ‘Sweetest Devotion’, 2020. Credit: Presented by the Contemporary Art Society through the Collections Fund at Frieze, 2021/22
The Harris acquired this contemporary art piece ‘Sweetest Devotion’, by Billie Zangewa. Marvel at the hand-stitched silk collage created by Malawi-born, Johannesburg-based artist.
Billie Zangewa captures a touching moment of a child and his uncle during the pandemic.
This art is part of a new collection of works that explore the many facets of family life, chosen because of your feedback through the Harris Your Place project.
HTMLText_261B4F3F_74E2_0A6E_41C9_E466ED729478.html = Unapologetic
The Harris have acquired a new contemporary portrait painting created by Azraa Motala. Azraa has visited the Harris since she was a child, and recognised that she could not see herself represented in the collections. She worked with us to develop a new project called ‘Unapologetic’ in 2021.
Motala created a call out through South Asian women’s network and groups, her own contacts and social media to invite women to participate as collaborators and subjects in the series of portraits. Once selected the women spent time with her in facilitated conversations about their experiences of identity, culture, misrepresentation and self-representation. The group worked with curators at the Harris to investigate the collections in order to interrogate the representation of women and the lack of representation of women like them.
Azraa’s painting will be displayed in the Art Gallery alongside a portrait of her choice from the Fine Art Collection. This portrait is of local UCLan graduate Samiya who previously represented Lancashire in Cricket. ‘A big part of my life is to do with sports and being a girl from the BAME community where there isn’t much representation in sports teams I feel it is important to be a role model for others and myself’
HTMLText_169D5EF4_5410_C539_417D_EA865B8D15C0.html = Vaseline Glass Scent Bottle
This vibrant yellow/green ‘Vaseline’ glass scent bottle gets its colour from uranium oxides. If exposed to ultra-violet light it will glow in the dark. However, there is no need to panic, as there are no safety risks from this type of glass because the radiation levels are the same as those that occur naturally in our environment.
Coloured glass like this developed during the nineteenth century, with Bohemia (now the Czech republic) leading the way.
HTMLText_290CF207_74A2_1A1F_41DA_0443635D1D2A.html = In for Repairs
Born Laura Johnson in Long Eaton, Derbyshire, Knight was first given art lessons by her mother before attending Nottingham School of Art at the age of thirteen. In 1903 she married fellow art student Harold Knight and they travelled to Staithes in Yorkshire, before moving to Cornwall.
In 1929, she was created a Dame Commander of the British Empire (DBE). Her work focussed particularly on the circus, the ballet and the theatre. She also painted a number of works depicting Gypsies.
Knight’s painting shows members of the Women’s Auxiliary Air Force (WAAF) repairing a barrage balloon at RAF Wythall, near Birmingham. A quarter of a million women served in the WAAF during the Second World War. They worked in over 110 trades, supporting operations around the world.
As an Official War Artist, Knight was especially interested in representing women who excelled in roles traditionally carried out by men. Her long and successful career paved the way for many female artists.
HTMLText_2CCE5396_74A2_1A3E_41CB_DA780AB010E9.html = Painted Desert
Painted Desert is a stunning textile designed by Althea McNish – a designer of Trinidadian birth who moved to Britain in the 1950s. McNish has been called one of the first British designers of African descent to gain an international reputation. This design was produced for the Lancashire-based textile firm Hull Traders which specialised in hand-screen-printed textiles in the 1960s. Other artist-designed fabrics in the Harris collection include examples by William Gear, Shirley Craven, John Piper and Hans J. Holzer. Textile art pieces include those by Ann Sutton, Juniichi Arai and Liz Nilsson.
HTMLText_2517CE00_74A2_0A12_41C3_3ACC11181B08.html = Pink Tulip Dress
With matching bolero.
This pretty pink cotton halter neck sun dress is printed with a yellow and white tulip pattern, it also come with a matching bolero and belt.
The dress was designed by Joyce Badrocke, who was the in-house designer for Horrockses Fashions. This particular Horrockses fabric print in blue was chosen by Queen Elizabeth II for her 1953-4 tour of New Zealand. The design wouldn’t have been made available to the public until after she had worn it!
The donor purchased her version of the dress at Nottingham House on Fishergate in Preston in 1954 to wear for her honeymoon.
HTMLText_7B5C9856_5411_CD79_41CB_02E1BCDFAA4C.html = Sunil and His Parents
(Ram & Penny)
Presented by the Contemporary Art Society through the Collections Fund at Frieze, 2021/22
Sunil Gupta works as a photographer, writer and curator, seeking to promote a greater understanding of questions regarding representation, sexuality, access and cultural difference. His career, which spans four decades, has been either community-based, as he photographed other members of the queer community, or introspective, as he documented his medical journey after being diagnosed as HIV+.
Gupta uses his own lived experiences of race, migration and queer identity as a point of departure for photographic projects. Sunil and His Parents (Ram & Penny) is a portrait of the artist with his mother and father. His parents hold each other while he stands slightly apart.
There are over 800 oil paintings and over 6,000, watercolours, drawings and prints at the Harris. The collection includes 18th century portraits and landscapes, Victorian and 20th century paintings, prints and drawings by British and European artists from around 1400 to the present day, and work by regional artists.
This portrait of Pauline Gunn, the artist’s wife, caused a sensation when it was first displayed at the Royal Academy in London. It was voted picture of the year and described as ‘the Mona Lisa of 1944’ by the Daily Mail.
The Harris purchased the painting. Visitors flocked to see her when the painting first arrived in Preston. They were captivated by her gaze and sometimes outraged by the yellow dress, made with extravagant amounts of fabric during war time rationing. At the time, Gunn was one of Britain’s most popular portrait painters. His seemingly effortless style brought him numerous commissions, including the Royal Family, prime ministers, and leading artistic and literary figures of the day.
Today, Pauline in the Yellow Dress is still our most popular painting.
HTMLText_177CA12B_5413_FF2F_41A1_437144FCD774.html = Himroo Textile
One of two woven Himroo textiles, created on a light background with pink woven pattern. This textile was woven in India using restored Himroo textile weaving looms.
Made by Loom Katha, a weaving collective ran by Arushi Chowdhury Khana.
HTMLText_16BB0C56_5430_4566_41C4_FCCCAE826127.html = Himroo Textile
One of two woven Himroo textiles, created on a light background with pink woven pattern. This textile was woven in India using restored Himroo textile weaving looms.
Made by Loom Katha, a weaving collective ran by Arushi Chowdhury Khana.
HTMLText_442FFDE4_73A2_0E11_41DB_C3508603DCCF.html = Horrocks Mill Model
This model of Horrockses Yard Works in Stanley Street Preston was made for the visit of King George V and Queen Mary in 1913. The Yard Works was the largest cotton manufacturing site in Europe at the time the model was made. Horrockses was the jewel in the crown of Preston’s booming cotton industry, exporting cotton goods all over the world and launching a fashion label in 1946. There are extensive collections at the Harris on Horrockses including items associated with the manufacture of cotton, finished goods, archival material and Horrockses Fashions dresses. They also relate to items from Courtaulds rayon factory, which produced synthetic fibres in Preston from the 1930s.
HTMLText_10F930E3_5430_5D5F_41C1_0B40118D266D.html = Puck
Puck was painted by Richard Dadd, the infamous Victorian artist best know for his ‘fairy paintings’. Puck is a character from Shakespeare’s play A Midsummer Night’s Dream. The painting once belonged to Preston solicitor Thomas Birchall. After many years the painting has returned to Preston and is now part of the Harris’ permanent collection. This is an oil painting on canvas.
HTMLText_FB2EF9A9_83ED_A9F8_41D9_6C3AC707DA59.html = Why War?
Having fought in ‘the war to end all wars’, this First World War veteran sadly contemplates the onset of the Second World War. Near him lies a new gas mask from Lewisham Council and a newspaper covering Chamberlain’s abortive mission to make peace with Hitler.
Spencelayh’s training as a miniaturist allowed him to build up a story of visual clues in painstaking detail
HTMLText_4BC11D50_73A2_0E31_41B6_F491D6158339.html = Human Skull
A skull from a man who lived in NW England ~5,500 years ago (aged ~40 at death). The Harris has 23 human skulls, many found during Preston Dock excavations. Other Stone Age collections include flints from the Bann culture (Northern Ireland), stone axes, arrowheads, etc.
HTMLText_8A231451_DEF0_7CA6_41D1_A4BC1B4A3A61_mobile.html = Benefits of a 360 Virtual Tour.
A 360 virtual tour offers numerous benefits across various industries and applications.
Here are some of the key advantages:
1. Enhanced User Experience: A 360 virtual tour provides an immersive and interactive experience for users. They can explore a location or property virtually, getting a realistic feel for the space without actually being there. This engagement can increase user satisfaction and create a lasting impression.
2. Increased Reach and Accessibility: Virtual tours can be accessed from anywhere at any time, making them convenient for users who are unable to visit a physical location. This accessibility enables businesses to reach a broader audience, including international customers, people with mobility limitations, or those who prefer online experiences.
3. Time and Cost Efficiency: Virtual tours save time and resources by eliminating the need for physical visits. Potential buyers or visitors can view properties, venues, or destinations remotely, reducing travel expenses and saving valuable time for both businesses and consumers.
4. Competitive Advantage: By offering a virtual tour, businesses can differentiate themselves from competitors. It showcases a forward-thinking approach, embracing technology to enhance customer experiences and gain a competitive edge in the market.
5. Pre-Qualification and Filtering: For real estate agents, virtual tours help pre-qualify potential buyers. Prospective clients can virtually explore properties and decide if they meet their requirements before requesting an in-person visit. This saves time for both agents and buyers by narrowing down options and focusing on genuinely interested parties.
6. Visualization and Decision-Making: Virtual tours allow users to visualize and assess a space accurately. Whether it's a hotel, event venue, or property, users can see the layout, room sizes, and various features. This helps in making informed decisions, reducing uncertainty, and increasing confidence in their choices.
7. Training and Education: Virtual tours can be utilized for educational purposes, such as virtual campus tours for prospective students or training simulations in various industries. This immersive learning experience enables learners to explore and understand environments in a more engaging and interactive manner.
8. Marketing and Sales Tool: Virtual tours are an effective marketing and sales tool. They can be embedded on websites, shared on social media platforms, or incorporated into presentations and proposals. The visual impact and immersive experience captivate potential customers, increasing engagement and conversion rates.
9. Preservation and Documentation: Virtual tours can preserve historical sites, landmarks, or cultural heritage by creating digital archives of these spaces. It helps document the current state, allowing future generations to experience and appreciate these locations virtually even if they undergo changes over time.
10. Remote Collaboration and Communication: Virtual tours facilitate remote collaboration and communication. Businesses can conduct virtual meetings, property walkthroughs, or interactive presentations with clients, partners, or remote teams. This capability improves efficiency, saves travel costs, and enables seamless communication across geographically dispersed individuals.
These benefits highlight the versatility and value of 360 virtual tours across industries, providing enhanced experiences, convenience, and improved decision-making opportunities for businesses and users alike.
HTMLText_7A907C0F_5470_C4E7_41C4_8B53A4E66ECC_mobile.html = SUITE: FRUITS & GREEN LOOP
Set of 5 prints by artist Tony Heaton OBE.
The prints, SUITE: FRUITS 2019, have been acquired alongside Green Loop.
HTMLText_0943770D_83D4_DAB8_41C6_799460676D29_mobile.html = Pauline in the Yellow Dress
by Sir James Gunn
There are over 800 oil paintings and over 6,000, watercolours, drawings and prints at the Harris. The collection includes 18th century portraits and landscapes, Victorian and 20th century paintings, prints and drawings by British and European artists from around 1400 to the present day, and work by regional artists.
This portrait of Pauline Gunn, the artist’s wife, caused a sensation when it was first displayed at the Royal Academy in London. It was voted picture of the year and described as ‘the Mona Lisa of 1944’ by the Daily Mail.
The Harris purchased the painting. Visitors flocked to see her when the painting first arrived in Preston. They were captivated by her gaze and sometimes outraged by the yellow dress, made with extravagant amounts of fabric during war time rationing. At the time, Gunn was one of Britain’s most popular portrait painters. His seemingly effortless style brought him numerous commissions, including the Royal Family, prime ministers, and leading artistic and literary figures of the day.
Today, Pauline in the Yellow Dress is still our most popular painting.
HTMLText_3B3C7E74_5410_4539_41C4_F6E6B2305E4B_mobile.html = Serena Reading
‘Serena Reading’ shows the heroine from a poem called ‘Triumphs of Temper’ by William Hayley, a close friend of Romney. The poem tells how Serena became so engrossed in a book that she read all through the night. Daylight is breaking and her candle has burnt down. Romney was born near Dalton-in-Furness, Cumbria, but moved to London, where he was the most fashionable portrait painter of his era.
HTMLText_30DF7560_5410_4759_4181_90073025A33E_mobile.html = Strengh
As seen on Channel 4’s Great Pottery Throwdown, Christine Cherry created the self-sculpture to represent her battle with breast cancer, in what she described as a truly cathartic experience.
HTMLText_3FB17CCA_5430_C569_41CD_C58C5F4AF40C_mobile.html = Vaseline Glass Scent Bottle
This vibrant yellow/green ‘Vaseline’ glass scent bottle gets its colour from uranium oxides. If exposed to ultra-violet light it will glow in the dark. However, there is no need to panic, as there are no safety risks from this type of glass because the radiation levels are the same as those that occur naturally in our environment.
Coloured glass like this developed during the nineteenth century, with Bohemia (now the Czech republic) leading the way.
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HTMLText_3F033CAB_5430_452F_41D2_2F6D906F33C0_mobile.html = A Curious Herbal
Elizabeth Blackwell was a botanical illustrator and author. This remarkable book is part of the Shepherd Collection and was first published 1737-1739 and is one of the earliest publications on botany by a woman. The beautiful illustrations that she engraved and coloured are accompanied by descriptions of the medical uses of the plants.
HTMLText_5B2CC55E_7735_956D_41D8_FD6D4A7820E7_mobile.html = Ceramic Fairy Mug
Our second acquisition from Christine Cherry is this Ceramic Fairy Mug. Inspired by a ceramic tea set that she created during her time on the Channel 4 programme, this beautiful mug features a small fairy frolicking amongst delightful flowers and ladybugs. The mug will be displayed alongside Christine’s self-sculpture when we reopen.
HTMLText_248B5DE8_5430_4729_41CD_056AD43AABC8_mobile.html = Corona
In 2019, local Preston artist Gavin Renshaw flew in a light aircraft above Preston. He created a bird’s-eye view drawing looking down on the city during the Covid-19 pandemic. The detailed line drawing is titled ‘Corona’ and is 1.5 metres long.
The drawing depicts the university buildings, and student houses are in the foreground. The public buildings and high-rise towers sit in front of the Higher Walton’s hill.
HTMLText_3C0D5E60_5430_4559_41D4_0FDC766F7C36_mobile.html = Fauna
Copyright: Jacqueline Bishop. Courtesy the artist.
The Harris is thrilled to announce a new acquisition to our collection, presented by Contemporary Art Society. Jacqueline Bishop’s interdisciplinary masterpiece, ‘Fauna’, sheds light on overlooked narratives of enslaved women in Caribbean society. Commissioned by The Harris, this evocative ceramic work intertwines botanical elements with maternal themes, unveiling poignant stories of resilience. Displaying alongside historical pieces, ‘Fauna’ sparks dialogues on the global history of tea and colonialism.
Presented by Contemporary Art Society through the Omega Fund, 2023/24.
HTMLText_03F3863A_74A2_FA76_41DC_609BA34B13AC_mobile.html = Half Timer
(Portrait of Annie Hill)
Annie Hill was 12 years old when Mayor painted this portrait. She worked as a half-timer at Horrockses cotton mill, splitting her day between work and school.
It was unusual at the time for working women to have their portraits painted. The painting was carried in the Women’s Sunday march in London in 1908 to represent thousands of working women and children like Annie. It played an important role in the campaign for women’s suffrage, helping to demonstrate that women contributed their labour and taxes to the country and should have a say in the country’s politics.
HTMLText_EA23F367_835C_B977_41B9_BAA446D924B4_mobile.html = Himroo Textile
One of two woven Himroo textiles, created on a light background with pink woven pattern. This textile was woven in India using restored Himroo textile weaving looms.
Made by Loom Katha, a weaving collective ran by Arushi Chowdhury Khana.
HTMLText_30834E32_5410_C539_41BE_66E68A522D84_mobile.html = In for Repairs
Born Laura Johnson in Long Eaton, Derbyshire, Knight was first given art lessons by her mother before attending Nottingham School of Art at the age of thirteen. In 1903 she married fellow art student Harold Knight and they travelled to Staithes in Yorkshire, before moving to Cornwall.
In 1929, she was created a Dame Commander of the British Empire (DBE). Her work focussed particularly on the circus, the ballet and the theatre. She also painted a number of works depicting Gypsies.
Knight’s painting shows members of the Women’s Auxiliary Air Force (WAAF) repairing a barrage balloon at RAF Wythall, near Birmingham. A quarter of a million women served in the WAAF during the Second World War. They worked in over 110 trades, supporting operations around the world.
As an Official War Artist, Knight was especially interested in representing women who excelled in roles traditionally carried out by men. Her long and successful career paved the way for many female artists.
HTMLText_37FFA74C_5430_C369_41D3_B96A14976AFC_mobile.html = NS-02
Forms in Succession
This ceramic can be displayed from any angle: it doesn’t have a front, back, top or bottom. It is made by melting two slip-cast porcelain rectangles together in the kiln. The intensity of heat warps the rectangles into these two interlocking shapes.
HTMLText_27A34318_74E6_3A32_41AB_5BE0F9FDCE2B_mobile.html = Painted Desert
Painted Desert is a stunning textile designed by Althea McNish – a designer of Trinidadian birth who moved to Britain in the 1950s. McNish has been called one of the first British designers of African descent to gain an international reputation. This design was produced for the Lancashire-based textile firm Hull Traders which specialised in hand-screen-printed textiles in the 1960s. Other artist-designed fabrics in the Harris collection include examples by William Gear, Shirley Craven, John Piper and Hans J. Holzer. Textile art pieces include those by Ann Sutton, Juniichi Arai and Liz Nilsson.
HTMLText_27CB7FE7_74E6_0A1F_41C5_E287FE173FC4_mobile.html = Pink Tulip Dress
With matching bolero
This pretty pink cotton halter neck sun dress is printed with a yellow and white tulip pattern, it also come with a matching bolero and belt.
The dress was designed by Joyce Badrocke, who was the in-house designer for Horrockses Fashions. This particular Horrockses fabric print in blue was chosen by Queen Elizabeth II for her 1953-4 tour of New Zealand. The design wouldn’t have been made available to the public until after she had worn it!
The donor purchased her version of the dress at Nottingham House on Fishergate in Preston in 1954 to wear for her honeymoon.
HTMLText_3443968F_5410_45E7_41A2_883D572DC283_mobile.html = Sunil and His Parents
(Ram & Penny)
Presented by the Contemporary Art Society through the Collections Fund at Frieze, 2021/22
Sunil Gupta works as a photographer, writer and curator, seeking to promote a greater understanding of questions regarding representation, sexuality, access and cultural difference. His career, which spans four decades, has been either community-based, as he photographed other members of the queer community, or introspective, as he documented his medical journey after being diagnosed as HIV+.
Gupta uses his own lived experiences of race, migration and queer identity as a point of departure for photographic projects. Sunil and His Parents (Ram & Penny) is a portrait of the artist with his mother and father. His parents hold each other while he stands slightly apart.
HTMLText_5CE4E253_7735_8F7B_41B2_1BD35E6CF4ED_mobile.html = Sweetest Devotion.
Textile Artwork ‘Sweetest Devotion’, 2020. Credit: Presented by the Contemporary Art Society through the Collections Fund at Frieze, 2021/22
The Harris acquired this contemporary art piece ‘Sweetest Devotion’, by Billie Zangewa. Marvel at the hand-stitched silk collage created by Malawi-born, Johannesburg-based artist.
Billie Zangewa captures a touching moment of a child and his uncle during the pandemic.
This art is part of a new collection of works that explore the many facets of family life, chosen because of your feedback through the Harris Your Place project.
HTMLText_06B52536_74A2_1E7E_41C3_8AA26935650F_mobile.html = The Half-timer
(Portrait of Annie Hill)
Annie Hill was 12 years old when Mayor painted this portrait. She worked as a half-timer at Horrockses cotton mill, splitting her day between work and school.
It was unusual at the time for working women to have their portraits painted. The painting was carried in the Women’s Sunday march in London in 1908 to represent thousands of working women and children like Annie. It played an important role in the campaign for women’s suffrage, helping to demonstrate that women contributed their labour and taxes to the country and should have a say in the country’s politics.
HTMLText_07CFE7F7_83D4_5968_41CE_3C0C333FA022_mobile.html = Unapologetic
The Harris have acquired a new contemporary portrait painting created by Azraa Motala. Azraa has visited the Harris since she was a child, and recognised that she could not see herself represented in the collections. She worked with us to develop a new project called ‘Unapologetic’ in 2021.
Motala created a call out through South Asian women’s network and groups, her own contacts and social media to invite women to participate as collaborators and subjects in the series of portraits. Once selected the women spent time with her in facilitated conversations about their experiences of identity, culture, misrepresentation and self-representation. The group worked with curators at the Harris to investigate the collections in order to interrogate the representation of women and the lack of representation of women like them.
Azraa’s painting will be displayed in the Art Gallery alongside a portrait of her choice from the Fine Art Collection. This portrait is of local UCLan graduate Samiya who previously represented Lancashire in Cricket. ‘A big part of my life is to do with sports and being a girl from the BAME community where there isn’t much representation in sports teams I feel it is important to be a role model for others and myself’
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HTMLText_E59E7AB9_835C_6BD8_41CB_CB0119F72802_mobile.html = Why War ?
Having fought in ‘the war to end all wars’, this First World War veteran sadly contemplates the onset of the Second World War. Near him lies a new gas mask from Lewisham Council and a newspaper covering Chamberlain’s abortive mission to make peace with Hitler.
Spencelayh’s training as a miniaturist allowed him to build up a story of visual clues in painstaking detail
HTMLText_D2B3A129_C5E7_FCF4_41A7_3F02656FCC1D.html = Benefits of a 360 Virtual Tour.
A 360 virtual tour offers numerous benefits across various industries and applications.
Here are some of the key advantages:
1. Enhanced User Experience: A 360 virtual tour provides an immersive and interactive experience for users. They can explore a location or property virtually, getting a realistic feel for the space without actually being there. This engagement can increase user satisfaction and create a lasting impression.
2. Increased Reach and Accessibility: Virtual tours can be accessed from anywhere at any time, making them convenient for users who are unable to visit a physical location. This accessibility enables businesses to reach a broader audience, including international customers, people with mobility limitations, or those who prefer online experiences.
3. Time and Cost Efficiency: Virtual tours save time and resources by eliminating the need for physical visits. Potential buyers or visitors can view properties, venues, or destinations remotely, reducing travel expenses and saving valuable time for both businesses and consumers.
4. Competitive Advantage: By offering a virtual tour, businesses can differentiate themselves from competitors. It showcases a forward-thinking approach, embracing technology to enhance customer experiences and gain a competitive edge in the market.
5. Pre-Qualification and Filtering: For real estate agents, virtual tours help pre-qualify potential buyers. Prospective clients can virtually explore properties and decide if they meet their requirements before requesting an in-person visit. This saves time for both agents and buyers by narrowing down options and focusing on genuinely interested parties.
6. Visualization and Decision-Making: Virtual tours allow users to visualize and assess a space accurately. Whether it's a hotel, event venue, or property, users can see the layout, room sizes, and various features. This helps in making informed decisions, reducing uncertainty, and increasing confidence in their choices.
7. Training and Education: Virtual tours can be utilized for educational purposes, such as virtual campus tours for prospective students or training simulations in various industries. This immersive learning experience enables learners to explore and understand environments in a more engaging and interactive manner.
8. Marketing and Sales Tool: Virtual tours are an effective marketing and sales tool. They can be embedded on websites, shared on social media platforms, or incorporated into presentations and proposals. The visual impact and immersive experience captivate potential customers, increasing engagement and conversion rates.
9. Preservation and Documentation: Virtual tours can preserve historical sites, landmarks, or cultural heritage by creating digital archives of these spaces. It helps document the current state, allowing future generations to experience and appreciate these locations virtually even if they undergo changes over time.
10. Remote Collaboration and Communication: Virtual tours facilitate remote collaboration and communication. Businesses can conduct virtual meetings, property walkthroughs, or interactive presentations with clients, partners, or remote teams. This capability improves efficiency, saves travel costs, and enables seamless communication across geographically dispersed individuals.
These benefits highlight the versatility and value of 360 virtual tours across industries, providing enhanced experiences, convenience, and improved decision-making opportunities for businesses and users alike.
HTMLText_F7570D26_DDB0_ECED_41D2_750262CC0F00_mobile.html = 360 Creator - Simon Little
Hi, I'm Simon and a director of Sphere Interiors Ltd incorporating Cre8te360. Our professional services are available to the trade but also to the end user.
We are based in Lancashsire and our work takes us all over
the UK.
Services we offer include :
• Measured Surveys
• Space Planning - Commercial Office Interiors
• 3d Visuals and Walkthroughs
• 360 Virtual Tours
• Office Furniture
• Working Construction Drawings
HTMLText_D37CDEC5_C5AD_A5BC_41DF_88738F735588.html = 360 Creator
Simon Little,
Hi, I'm Simon and a director of Sphere Interiors Ltd incorporating Cre8te360. Our professional services are available to the trade but also to the end user.
We are based in Lancashsire and our work takes us all over the UK.
Services we offer include :
• Measured Surveys
• Space Planning - Commercial Office Interiors
• 3d Visuals and Walkthroughs
• 360 Virtual Tours
• Office Furniture
• Working Construction Drawings
HTMLText_CEA3BE28_D400_39CC_41D2_19F956CDD46A.html = Use the Side Menu for Additional Features
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HTMLText_B9CA26FA_E338_1F03_419B_7438B8CE2910_mobile.html = First Floor
Discover Preston Galleries
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Staircase Landing
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HTMLText_A6FE05E9_E348_1D01_41E6_3887B0AB00CE_mobile.html = Ground Floor Flag Market Entrance
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Pink Tulip Dress
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Reading Rooms
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HTMLText_942DF8AF_E3FB_F301_417B_C6C6E84D882C_mobile.html = Second Floor
Special Collections
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Exhibition Gallery
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HTMLText_B9CDE6FF_E338_1F01_41C1_468A96E49BF9_mobile.html =
HTMLText_A6FB45F1_E348_1D01_41DC_A8A21AFD08D6_mobile.html =
HTMLText_0256EDAE_4998_42C9_41A0_9A9358F97870_mobile.html =
HTMLText_B9AD2029_E338_1301_41B4_CD6A0C565931_mobile.html =
HTMLText_BEF730AA_E3C8_1303_41E4_134CB7F8F2F2_mobile.html =
HTMLText_26BAD85C_74A6_1632_41D8_573A4CDB6691_mobile.html =
HTMLText_B2C715C0_E358_3D7F_41C4_CA383D91E507_mobile.html =
HTMLText_A4177708_E378_3D0F_41D6_F2971BF8D06F_mobile.html =
HTMLText_25F8833F_74A7_FA6F_41BB_3FEB4918C37B_mobile.html =
HTMLText_65ED2592_E3C8_1D03_41E3_E71264557EAE_mobile.html =
HTMLText_8108D56E_E3D8_3D00_41CF_67225193FF36_mobile.html =
HTMLText_BF50C478_E3D8_730F_41B4_F3370DAD5950_mobile.html =
HTMLText_942C18B5_E3FB_F301_41A5_462D0DB296DD_mobile.html =
HTMLText_B8651716_E3C8_3D00_41AE_7B87545D64FF_mobile.html =
HTMLText_B9AFC022_E338_1303_41E1_0102B5A5B62C_mobile.html =
HTMLText_B2D8ED81_E358_6D01_41E8_6E41960CE062_mobile.html = First Floor Hub &
Gallery Two
HTMLText_A74381E8_BD83_DAED_41C8_573658803A01_mobile.html = External Pictures
& Drone Views
HTMLText_C403255E_E1DE_02CE_41D4_334DD98BCB0E_mobile.html = Interior Pictures &
Exhibition Pieces
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HTMLText_ACAF2E74_86D6_5660_41DA_EAF54A2C95B5.html = Ground Floor Flag Market Entrance Foyer
HTMLText_B32A1344_E947_C3FF_41E6_CA799130973E.html =
HTMLText_AAB2B30B_8636_EFA1_41D3_59788F5DF3F4.html =
HTMLText_16C3339C_0B44_6D37_41A0_2D3A370F2B05.html = Ground Floor - Family Library
HTMLText_AD275EA3_86D9_F6E0_41C2_0A9C503D2F38.html =
HTMLText_A9A04BAC_8636_7EE0_41D6_5BF1B7166B78.html = Second Floor - Gallery One
HTMLText_AD41D2BB_8636_6EE0_41DB_8790AECB6E3D.html =
HTMLText_AD0F6752_86CA_F7A0_41D0_2E890B1D5F18.html = First Floor - Discover Preston Gallery
HTMLText_AD01EC03_86CA_B9A0_41D2_60511CA53F50.html = First Floor Reading Rooms
HTMLText_AA48EAEB_86CF_FE60_41D0_3FF7EF0627B4.html =
HTMLText_9459DC47_EAFC_45F9_41D1_6399BE8A0832.html =
HTMLText_AF099EFA_86D9_D660_41C9_9591B36E4E2B.html =
HTMLText_A1CD6C74_B93D_F87B_41D4_D14DD2317682.html = Second Floor - Art Gallery
HTMLText_9A6D839E_B952_AA68_41CB_07AB44D2D735.html = Second Floor - Art Library
HTMLText_33024EF9_6C8D_431E_41D1_80F97B7665A3.html =
HTMLText_917C12D4_B99F_FE47_41C1_34204B27AF0E.html = Second Floor - Gallery - One
HTMLText_A568EA03_B9A6_9238_41DA_F0CEC0E76A94.html = Second Floor - Gallery - One
HTMLText_A58C1DC0_B976_CABF_41D7_F809197013DB.html = Second Floor - Special Collections
HTMLText_AD0068CA_86CA_DAA0_41D7_E28B697FD77E.html =
HTMLText_A8A99F9C_86CA_56A0_41C3_CCC641A27FB8.html =
HTMLText_AF0A08AB_86D9_BAE1_41B6_DE3D3EDF9279.html =
HTMLText_ACA5EE79_86D6_5660_41D2_81592775262D.html =
HTMLText_AD08E8CD_86CA_DAA0_41B3_983A5714D26E.html =
HTMLText_AAB6B2C0_8636_6EA0_41D2_A35BAFDF583A.html =
HTMLText_AABD830E_8636_EFA3_41D0_8FC32EA648F5.html =
HTMLText_33397F02_6C8D_42F3_41D9_3A8BDF60A8CD.html =
HTMLText_AD086C05_86CA_B9A0_41DE_9A1CB7B8949C.html =
HTMLText_9A66A3A5_B952_AA59_41D1_3CC52462E1CF.html =
HTMLText_ABB07AF0_86CF_FE60_41D0_1BA44D02362A.html =
HTMLText_A8AAAFA1_86CA_56E0_41BD_C85AEA15D354.html =
HTMLText_AF01FEFD_86D9_D660_41D5_1B0AC7DE1605.html =
HTMLText_B32E4348_E947_C3F7_41DF_17FADAFF3301.html =
HTMLText_AD77E755_86CA_F7A0_41DC_12454CD1DDE6.html =
HTMLText_A589DDC5_B976_CA40_41C7_1A2C1EDD463E.html =
HTMLText_A1C31C7D_B93D_F865_41C3_AB1E31D25E6A.html =
HTMLText_A5704A09_B9A6_9248_41E1_A20309DC07DF.html =
HTMLText_917562D8_B99F_FE4F_41DB_62059B626643.html =
HTMLText_945BDC4C_EAFC_458F_41B9_FC96417BE950.html =
HTMLText_16F613B1_0B44_6D71_41A0_40C8F91655F3.html =
HTMLText_AF0238AE_86D9_BAE0_41C5_6C14F9610FFF.html =
HTMLText_A99FEBAF_8636_7EE0_41C0_7658F29BB89A.html =
HTMLText_85550576_AB4D_C80B_41BA_2828F0D27F05_mobile.html =
HTMLText_86BAFF8D_AAD5_B819_41D6_3E517395D633_mobile.html =
HTMLText_A4C72605_B8BC_28F3_41E2_CEBDE1A15341_mobile.html =
HTMLText_85360FCF_AB4B_B819_41E2_F027C377267A_mobile.html = Community Gallery &
The Hub
HTMLText_85557574_AB4D_C80F_41D7_8E46F41A4F50_mobile.html =
HTMLText_85361FCE_AB4B_B81B_41E3_852137D762F3_mobile.html =
HTMLText_86BA9F8C_AAD5_B81F_41CC_C36C340BA578_mobile.html = Exhibition Gallery
Wallace & Gromit
HTMLText_BFB46F37_9F20_5781_41D9_A38095E77926_mobile.html =
HTMLText_BE9DF867_9F20_5980_41DC_40C57AF0125D_mobile.html =
HTMLText_85366FD0_AB4B_B807_41E4_D6D48AC7F908_mobile.html =
HTMLText_BDEEF06F_9F20_4980_41A2_A9277BEAA069_mobile.html =
HTMLText_86B93F8E_AAD5_B81B_41B6_9253EC1C6B08_mobile.html =
HTMLText_8555D578_AB4D_C807_41D8_CCBD690322E6_mobile.html =
HTMLText_8536AFD0_AB4B_B807_41E0_FFDB1D1562F3_mobile.html =
HTMLText_86B90F8F_AAD5_B819_41E4_8593ACF2CF04_mobile.html =
HTMLText_9B33687D_AB74_D8F9_41DE_9693A2C5CDEA_mobile.html =
HTMLText_85552577_AB4D_C809_4170_CB2022748E9E_mobile.html =
HTMLText_85443CED_9FE0_5A81_41D5_1276DE4A3E0F_mobile.html =
HTMLText_F02D9554_D7EC_4A82_41E8_DB1910F703EF_mobile.html =
HTMLText_FFB3CC5C_D7EC_DA81_41E9_19A3308D282B_mobile.html =
HTMLText_FCC50AB0_D7EC_DF82_41E7_4D87D5C1BE27_mobile.html =
HTMLText_85550576_AB4D_C80B_41BA_2828F0D27F05.html =
HTMLText_86BAFF8D_AAD5_B819_41D6_3E517395D633.html =
HTMLText_A4C72605_B8BC_28F3_41E2_CEBDE1A15341.html =
HTMLText_85552577_AB4D_C809_4170_CB2022748E9E.html =
HTMLText_85360FCF_AB4B_B819_41E2_F027C377267A.html = Community Gallary &
The Hub
HTMLText_85557574_AB4D_C80F_41D7_8E46F41A4F50.html =
HTMLText_85361FCE_AB4B_B81B_41E3_852137D762F3.html =
HTMLText_85443CED_9FE0_5A81_41D5_1276DE4A3E0F.html =
HTMLText_86BA9F8C_AAD5_B81F_41CC_C36C340BA578.html = Exhibition Gallery
Wallace & Grommit
HTMLText_BFB46F37_9F20_5781_41D9_A38095E77926.html =
HTMLText_BE9DF867_9F20_5980_41DC_40C57AF0125D.html =
HTMLText_85366FD0_AB4B_B807_41E4_D6D48AC7F908.html =
HTMLText_BDEEF06F_9F20_4980_41A2_A9277BEAA069.html =
HTMLText_86B93F8E_AAD5_B81B_41B6_9253EC1C6B08.html =
HTMLText_8555D578_AB4D_C807_41D8_CCBD690322E6.html =
HTMLText_8536AFD0_AB4B_B807_41E0_FFDB1D1562F3.html =
HTMLText_86B90F8F_AAD5_B819_41E4_8593ACF2CF04.html =
HTMLText_9B33687D_AB74_D8F9_41DE_9693A2C5CDEA.html =
### Tooltip
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CloseButton_5FFC687C_0638_1AA6_4191_FB56BDEB55F8_mobile.toolTip = Close Window
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CloseButton_F5374086_B5D6_52A5_41DB_8391C294B8E6.toolTip = Close Window
CloseButton_A409B702_E378_3D03_41D7_5F7F7F33A52F_mobile.toolTip = Close Window
CloseButton_81AEBC5D_B5DE_51A4_41D4_F103CD758101.toolTip = Close Window
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CloseButton_8D56B63E_B5CA_71E5_41D3_5730E2F0F6A4.toolTip = Close Window
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CloseButton_80C5E2BE_B5F6_76E5_41BD_5EA202827FA1.toolTip = Close Window
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CloseButton_25825338_74A7_FA71_41A9_D5328FB4600C_mobile.toolTip = Close Window
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CloseButton_A6931448_E348_330F_41B2_EA84BE5FC438_mobile.toolTip = Close Window
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IconButton_89732A38_B6AF_69FA_41AD_86B0D722653A.toolTip = Computacenter's Integration Centres
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IconButton_AB7CB910_B255_6B8A_41E4_7A583950050E.toolTip = Floor Plans
IconButton_FC9BEC22_E519_7810_418C_9892AB584267.toolTip = Harris Collections (Website)
IconButton_FC9F5C28_E519_7810_41DC_1EF2DEF8F5D3.toolTip = Harris Website
IconButton_AB7D2910_B255_6B8A_41C1_5973414F59FF.toolTip = Information
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IconButton_EE16CFD2_B654_A68E_41E1_22CC00D574E9.toolTip = Linkedin
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IconButton_BE8EBAB5_B1B4_EE8A_41D5_75C35201EE21_mobile.toolTip = Main Menu
IconButton_BE8EBAB5_B1B4_EE8A_41D5_75C35201EE21.toolTip = Main Menu
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IconButton_8D56A63D_B5CA_71E7_41E1_C754214B873A.toolTip = Mute
IconButton_8126CECE_B5D5_CEA4_41E5_31EE32E74120.toolTip = Mute
IconButton_81AEAC5E_B5DE_51A4_41D2_13E658192012.toolTip = Mute
IconButton_9FF6F476_B54A_D265_41E0_CB278398DEB1.toolTip = Mute
IconButton_9FF6F476_B54A_D265_41E0_CB278398DEB1_mobile.toolTip = Mute
IconButton_3771CFA1_A3C4_D0C2_41D1_E3A663A62972_mobile.toolTip = Mute
IconButton_FBD81FF5_B55E_CE67_41AC_F1D37E692CE8_mobile.toolTip = Mute
IconButton_8D56A63D_B5CA_71E7_41E1_C754214B873A_mobile.toolTip = Mute
IconButton_80C5D2BD_B5F6_76E7_41DC_28E45208053F_mobile.toolTip = Mute
IconButton_8126CECE_B5D5_CEA4_41E5_31EE32E74120_mobile.toolTip = Mute
IconButton_80254EB4_B5D6_CEE5_41E5_E1982F29C926_mobile.toolTip = Mute
IconButton_81AEAC5E_B5DE_51A4_41D2_13E658192012_mobile.toolTip = Mute
IconButton_F5282085_B5D6_52A7_41DE_24F77D3BBE35_mobile.toolTip = Mute
IconButton_4FC35521_67A0_7119_41D0_029CA50D3942_mobile.toolTip = Mute All
IconButton_4FC35521_67A0_7119_41D0_029CA50D3942.toolTip = Mute All
Image_933829BC_852E_DB94_41E0_60410897BA79.toolTip = Navigation
Image_CEA3EE28_D400_39CC_41E0_37A007DD280C_mobile.toolTip = Navigation
Image_933829BC_852E_DB94_41E0_60410897BA79_mobile.toolTip = Navigation
IconButton_E24CCBEC_F64C_0E33_41D3_4F1D38D20DD8.toolTip = Photo Album
IconButton_55EE5253_68A1_9339_41D0_584575390BE1.toolTip = Play / Pause
IconButton_55EE5253_68A1_9339_41D0_584575390BE1_mobile.toolTip = Play / Pause
IconButton_AE77F148_B26C_9B9A_41D8_36C8FE4CE2FD.toolTip = Share
IconButton_AE77F148_B26C_9B9A_41D8_36C8FE4CE2FD_mobile.toolTip = Share
HTMLText_A8AAAFA1_86CA_56E0_41BD_C85AEA15D354.toolTip = Take me there
Image_9A6043A3_B952_AA59_41DC_C1D68D7562F5.toolTip = Take me there
Image_A99DEBB1_8636_7EE0_41D9_24F4290B183D.toolTip = Take me there
Image_A8ABBFA3_86CA_56E0_41D1_C3931CB7408B.toolTip = Take me there
Image_33063EFD_6C8D_4311_41BE_616A18F22959.toolTip = Take me there
Image_A5891DC4_B976_CA40_41D7_E33326160FC4.toolTip = Take me there
IconButton_AF44C7E7_B254_A696_41D1_46C0397C8115.toolTip = Tour Options
IconButton_F145AB12_E4FF_3831_41A3_213B2A3046EE.toolTip = Video Overview
IconButton_EE2F02E7_B655_9E96_41D7_C6742E0C8F4E.toolTip = X
## Tour
### Description
tour.description = The Harris Preston
### Title
tour.name = The Harris (Duplicated)